Living Tradition of Iran's Crafts |
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Page 18
... technique of weaving is also archaic . They use the turkish knot , using only the upper warp threads , while the lower warps are woven into the weft , with the result that the pattern does not appear at the back . The name and the technique ...
... technique of weaving is also archaic . They use the turkish knot , using only the upper warp threads , while the lower warps are woven into the weft , with the result that the pattern does not appear at the back . The name and the technique ...
Page 23
... technique differed . The Chinese strove towards an equilibrium and perfect balance between form and decoration , while the Persians used the technique to create a dramatic effect of contrast , without any regard to matching the colour ...
... technique differed . The Chinese strove towards an equilibrium and perfect balance between form and decoration , while the Persians used the technique to create a dramatic effect of contrast , without any regard to matching the colour ...
Page 43
... technique of khatam , which even today employs a number of craftsmen in Shiraz and Isfahan and is used for making decorative items like table tops , picture frames , boxes etc. , was developed from architectural needs and is expressive ...
... technique of khatam , which even today employs a number of craftsmen in Shiraz and Isfahan and is used for making decorative items like table tops , picture frames , boxes etc. , was developed from architectural needs and is expressive ...
Contents
Introduction | 1 |
Background | 8 |
Socioeconomic Organisation | 31 |
Copyright | |
2 other sections not shown
Common terms and phrases
Abbas Achaemenian ancient animals associated Baluchi bazaar birds Birjand border brocade carpet carried carved central centre clay close colour cosmic cosmic tree court craft traditions created creation culture deep depicted developed earliest earth expression finest flowing futuwwa gelims gilim guild system hand Hazrat heaven hidden Hindu hunted important imprint India influence inner Iran Iranian Isfahan Islamic jajam Kashan Kermanshah Khurshid Khanum known Kufic linked lived lotus Luristan man's mandala master craftsmen means metal motif mountain movement muhtasib namad maker Nishapur organisation painted palmette patterns period Persia Persian empire pots pottery practised Qalamkari Qashgais rhythm rhythmic rich ritual rural areas Safavid Sassanian seen Seljuq sgraffito Shah Shah Abbas shape shrine signifies silk simurgh skills society spirit strength style stylized swastik symbolises symbols technique textiles tile Torkman tree tribal tribe village warp threads weavers weaving weft women wool woven Yazd