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The Pattern of ONeills Tragedies
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achieved action actual Agnes Boulton American Anna Christie artistic audience autobiographical beauty became Brown Carlotta Carlotta Monterey characters conflict confusion critics Days Without End death described Dion Anthony dramatic drunken Dynamo earlier early plays Edmund emotions Emperor Jones emphasized Eugene Gladstone O'Neill Eugene O'Neill father feeling Fountain friends greatest dramatist Greek Hairy Ape hero heroine Hickey horizon Hughie human Iceman Cometh ideal illusions imagination Irish James O'Neill James Tyrone Jamie Josie Journey Into Night Kaan Lazarus Laughed live Long Day's Journey Long Voyage Home man's Mannon mansions Marco Millions marriage married mask materialism materialistic Misbegotten modern Moon mother motives Mourning Becomes Electra mysticism myth nature never Nina O'Neill wrote O'Neill's plays perfect philosophy physical playwright plot produced psychological published realistic realized Reprinted in Cargill romantic dream seemed spiritual Strange Interlude success suggests symbolic theater theatrical tragedy tragic transcendence trilogy true truth wife Wilderness Yank York
Semiotics of the Drama and the Style of Eugene O'Neill
No preview available - 1989
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Eugene O'Neill's Mourning Becomes Electra: The Tragic I.
Lynn Susan Anderson
Snippet view - 1973