Dance as a Theatre Art: Source Readings in Dance History from 1581 to the PresentSelma Jeanne Cohen |
Contents
Preface | 1 |
Fabritio Caroso Rules and Directions for Dancing the Passo | 11 |
Balthasar de Beaujoyeulx Ballet Comique de la Reine Paris 1582 | 19 |
Copyright | |
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action arms artistic ASHTON audience BALANCHINE ballerina Ballet Comique Ballets Russes battements beat Beaujoyeulx beauty becomes beginning bend body century character choreog choreographer Circe classical dance composed contemporary costumes coupé created dancers Denishawn designed Diaghilev Doris Humphrey dramatic Effy emotional entrées exercises expression Fairy Fanny Cerrito feeling feet floor Fokine follow forward front Garage gestures girls grace Gurn hand heel human idea James Jerome Robbins King knees La Sylphide lady leaning jump left foot left leg light look Merce Cunningham Minuet modern dance move movement nature never Noverre Paris Opéra performance petits battements pirouettes plié position Queen repertory rhythm right foot right leg romantic ballet ronds de jambe Royal Swedish Ballet scene sequence side sissonne solo Soviet stage steps style Sylphide Taglioni technique tent theme thing tion Tudor turn variations virtuosity visualization York York City Ballet