Art & FilmNicola Kearton Since its inception in 1896, film has interacted continually with movements in art and criticism. Artists have been inspired by the fascination of the moving image and film makers have found their vision through the medium of painting. In today's multimedia age, film is seen as the ultimate visual art. This special issue published to tie in with the centenary of the invention of film presents an analysis of the subtle links between art and film, artist and filmmaker. It considers film as an inseperable element of contemporary art practice in the 1990s, and includes essays on the work of Peter Greenaway, performance artist Annie Griffin, Alain Fleischer, Beth B., and extracts from an interview with the late Derek Jarman. |
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Page 9
... canvas - had been picked up by the media and then into the public imagination . This wider voice was usually expressed in the form of outrage . - It has been suggested that the attention Green received was the reasoning for the abrupt ...
... canvas - had been picked up by the media and then into the public imagination . This wider voice was usually expressed in the form of outrage . - It has been suggested that the attention Green received was the reasoning for the abrupt ...
Page 15
... canvas on the floor and the artist in rubber boots , gloves and hat , paint is thrown from buckets , walked over , ridden over on a bicycle , and sand thrown onto the canvas . Hancock's portrayal of this scene is interesting in its ...
... canvas on the floor and the artist in rubber boots , gloves and hat , paint is thrown from buckets , walked over , ridden over on a bicycle , and sand thrown onto the canvas . Hancock's portrayal of this scene is interesting in its ...
Page 59
... canvas edge , a curving grey arc . At first view , we are challenged to decode this sparse image as a nose . Tuymans has scaled his image exactly to the height of the canvas , thus cropping the nostrils or any of the face's surrounding ...
... canvas edge , a curving grey arc . At first view , we are challenged to decode this sparse image as a nose . Tuymans has scaled his image exactly to the height of the canvas , thus cropping the nostrils or any of the face's surrounding ...
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action painting aesthetic Alain Fleischer Annie Griffin art and film artist audience becomes Beth B's body camera canvas Caravaggio Christian Boltanski cinema close-up construction contemporary art context create critical cultural depicts Derek Jarman dialogue duration electronic ence event exhibition experience explore face female fiction film's filmic filmmakers frame Gallery gaze Gillian Wearing Green Greenaway's Hollywood imagination installation interest John Cage Ken Russell light live London Luc Tuymans Lydia Lunch Mark Wallinger meaning mirrors movement moving Musée museum narrative Nick Zedd objects painter painting performance Peter Greenaway photographic picture played position produced projected projector Prospero's Books punk record red dress relationship representation Richard Kern role scene screen script seen shot sound soundtrack space spatial studio super-8 technologies television tion tive traditional Tuymans viewer violence vision visual arts watch Whilst woman Wyn-Evans York Zedd Zurbrugg