The Regime of the Brother: After the PatriarchyThe Regime of the Brother is one of the first attempts to challenge modernity on its own terms. Using the work of Lacan, Kristeva and Freud, Juliet MacCannell confronts the failure of modernity to bring about the social equality promised by the Enlightenment. On the verge of its destruction, the Patriarchy has reshaped itself into a new, and often more oppressive regime: that of the Brother. Examining a range of literary and social texts - from Rousseau's Confessions to Richardson's Clarissa and from Stendhal's De L'Amour to James's What Maisie Knew and Jean Rhys's Wide Sargasso Sea - MacCannell illustrates a history of the suppression of women, revealing the potential for a specifically feminine alternative. |
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Contents
the general self | |
Egomimesis | |
from the bourgeois state to the nuclear state | |
Romantic colonials | |
The empire of the phallus and the Regime of the Brother | |
The reconstruction of mothering | |
After the new Regime | |
Notes | |
Passages translated | |
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Common terms and phrases
aggression already appear artificial becomes body brother called character child civilization clear collective colonial condition critical cultural daughter dead death denies desire difference Duras equality exchange father feeling feminine fiction figure Freud function girl give heart Hiroshima historical human ideal identification identity imaginary imagine individual Julie kind Lacan less Letter living longer look lover Maisie male marriage maternal means metaphor modern moral mother narcissistic narrative natural never object Oedipus once parents passion patriarchy play pleasure political position possible question Regime relation repression role root Rousseau seems sense sexual sister social society stage Stendhal structure superego symbolic takes tells theater thought traditional turn unconscious University wants whole woman women writes York