The Actor's Checklist: Creating the Complete CharacterClass-tested for more than 15 years and based on the Constantin Stanislavki method of acting, this introductory text examines Stanislavki's eight principles, presented in an easily understood checklist format. In addition to Stanislavski, this exciting acting guide includes insights by other famous acting teachers, such as Uta Hagen, Sanford Meisner, Lee Strasberg, Michael Chekov, and Stella Adler. This books provides techniques for use in both classroom and production situations. |
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Page 77
... objectives con- verge as it were , into super objective ... the concentration of the entire score . ... For the actor the through action is the active attainment of the super objective . ( An Actor's Hand- book by Constantin ...
... objectives con- verge as it were , into super objective ... the concentration of the entire score . ... For the actor the through action is the active attainment of the super objective . ( An Actor's Hand- book by Constantin ...
Page 78
Creating the Complete Character Rosary O'Neill. Certain super objectives , especially those about love and money ... objective of the play will help you relate to the super objective of your character . This burning passion motivates each ...
Creating the Complete Character Rosary O'Neill. Certain super objectives , especially those about love and money ... objective of the play will help you relate to the super objective of your character . This burning passion motivates each ...
Page 79
... objective provokes a series of immediate needs from beat to beat . If your major objective is " to make someone love ... Super Objective : To win Richard Major Objective : To enrapture Spine : To seduce ( Just now she is in a great ...
... objective provokes a series of immediate needs from beat to beat . If your major objective is " to make someone love ... Super Objective : To win Richard Major Objective : To enrapture Spine : To seduce ( Just now she is in a great ...
Contents
Finding Action in Scripts | 8 |
Improvisation | 15 |
OBJECTIVE | 21 |
Copyright | |
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Common terms and phrases
acter activity actor actress adjust Amanda Arthur Miller atmosphere audience background beat begin char character character's action CHECKLIST choices circumstances clothes conflict Constantin Stanislavski create dressed driver emotional Eric Berne Eugene O'Neill example exciting experience feel focus fourth wall Glass Menagerie Imagine improvisation inner images inner monologue Lanford Wilson Laura line-by-line actions living look main action major action major objective major obstacle Miller mother Muriel Neil Simon Note Observe offstage onstage overcome partner pause performance person physical actions physical obstacles physical traits play Progressive Exercise psychological obstacles psychological traits re-create rehearsal relationship Richard role Romeo scene breakdown score script sensations sense memory sequence someone specific stage Stanislavski Stanislavski system Streetcar Named Desire Suddenly Last Summer super objective talk Tennessee Williams Theatre things thoughts tion waiting Wilderness writing