Psychological Studies |
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absolutely according amount appear assumption beats become belonging blind-spot color compound clang connected consciousness of consonance consonance and dissonance contents of sensation contrary coördinations corresponding course definite degree diatonic scale differentiation dimension distance effect elements exists experience of consciousness eye-movements fact field of vision fundamental rhythm fuse fusion given hand Helmholz hence homogeneity ideas of movements ideated immediate experience impres increase KNIGHT DUNLAP law of relativity leading-tones localization matter means melody ment metamorphopsia Meyer minor third mistuned monoclang nativistic nature non-conscious object octave perceived perfect consonance position psychic psychological qualitative quantity question ratio referred relationship respect result retinal areas retinal points rhythm of 100 rhythmical system sense sequence similar single sion situation sonance sort space spatial specific stimuli streak Stumpf surface tendency THEODOR LIPPS theory thing third tion tone-sequence tonic vibration-ratios vibrations visual perception Weber's Law whole Wundt