Heart of Darkness (Fourth International Student Edition) (Norton Critical Editions)

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W. W. Norton & Company, Apr 4, 2016 - Literary Criticism
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The Fourth Edition is again based on Robert Kimbrough’s meticulously re-edited text.

Missing words have been restored and the entire novel has been repunctuated in accordance with Conrad’s style. The result is the first published version of Heart of Darkness that allows readers to hear Marlow’s voice as Conrad heard it when he wrote the story. "Backgrounds and Contexts" provides readers with a generous collection of maps and photographs that bring the Belgian Congo to life. Textual materials, topically arranged, address nineteenth-century views of imperialism and racism and include autobiographical writings by Conrad on his life in the Congo. New to the Fourth Edition is an excerpt from Adam Hochschild’s recent book, King Leopold’s Ghost, as well as writings on race by Hegel, Darwin, and Galton. "Criticism" includes a wealth of new materials, including nine contemporary reviews and assessments of Conrad and Heart of Darkness and twelve recent essays by Chinua Achebe, Peter Brooks, Daphne Erdinast-Vulcan, Edward Said, and Paul B. Armstrong, among others. Also new to this edition is a section of writings on the connections between Heart of Darkness and the film Apocalypse Now by Louis K. Greiff, Margot Norris, and Lynda J. Dryden. A Chronology and Selected Bibliography are also included.
 

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Contents

Cover
The Text of Heart of Darkness
Textual Variants
IMPERIALISM AND THE CONGO
George Washington Williams An Open Letter to His Serene Majesty
NINETEENTHCENTURY ATTITUDES TOWARD RACE
CONRAD IN THE CONGO
Joseph Conrad The Congo Diary
THE AUTHOR ON ART AND LITERATURE
Copyright

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About the author (2016)

Paul B. Armstrong is Dean of the College and Professor of English at Brown University. He is the author of Play and the Politics of Reading: The Social Uses of Modernist Form, Conflicting Readings: Variety and Validity in Interpretation, The Challenge of Bewilderment: Understanding and Representation in James, Conrad, and Ford and The Phenomenology of Henry James. He is the editor of the Norton Critical Edition of E.M. Forster’s Howards End.

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