Principles of Composition in Photography |
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Page 23
... motion is missing . And finally , if we work in black- and - white , color is missing and replaced by relatively monotonous shades of gray . - - How can one take away three of a subject's most important qualities depth , motion , and ...
... motion is missing . And finally , if we work in black- and - white , color is missing and replaced by relatively monotonous shades of gray . - - How can one take away three of a subject's most important qualities depth , motion , and ...
Page 28
... motion in a photograph and familiarity with the graphic symbols of motion are im- portant , because indiscriminate freezing of motion by means of high shutter speeds or flash may actually negate the purpose of the picture . In auto ...
... motion in a photograph and familiarity with the graphic symbols of motion are im- portant , because indiscriminate freezing of motion by means of high shutter speeds or flash may actually negate the purpose of the picture . In auto ...
Page 121
... motion are blurred because they were made with shutter speeds insufficiently fast to stop the motion ; and most shots made with extreme wide - angle lenses . Dynamic balance is the name of a form of composition halfway between static ...
... motion are blurred because they were made with shutter speeds insufficiently fast to stop the motion ; and most shots made with extreme wide - angle lenses . Dynamic balance is the name of a form of composition halfway between static ...
Contents
Technique + Art Effective Photograph | 9 |
The Nature of Composition | 18 |
The Principles of Composition | 29 |
Copyright | |
5 other sections not shown
Common terms and phrases
amateurs Amphoto Andreas Feininger angle of view arrangement artist aspects of composition Background and foreground backlight beautiful black-and-white photography camera position choice color film Color Photography Complementary colors composed compositionally concepts contrast Converging verticals create dark diagonal direction distribution of light divide the picture dynamic composition Edward Weston effect emphasizes evoke example exposure feeling of depth filter focal length form of composition Franz Kline Frontlight future picture Golden Section grapher graphic symbol important impression isolate ject John Veltri landscape lenses less Lyonel Feininger means motion negative organization pattern shot perspective photo-technique photographic terms pictorial picture elements picture form Piet Mondrian Prentice-Hall proportions qualities rectangle rendered result Rockefeller Center scale of rendition scene sculpture semi-abstract shades of gray space specific static composition subject color subject proper techniques telephoto lens tion ture type of light vertical lines viewer visually wide-angle wide-angle lens