Is Art History Global?James Elkins This is the third volume in The Art Seminar, James Elkin's series of conversations on art and visual studies. Is Art History Global? stages an international conversation among art historians and critics on the subject of the practice and responsibility of global thinking within the discipline. Participants range from Keith Moxey of Columbia University to Cao Yiqiang, Ding Ning, Cuautemoc Medina, Oliver Debroise, Renato Gonzalez Mello, and other scholars. |
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academic aesthetic African art American architecture art criticism art history departments art history global Art Seminar artifacts artists artworks Cambridge canon China Chinese art Chinese painting cognitive colonial contemporary art context critique darśana David Summers Dipesh Chakrabarty discourse discussion edited English essay Eurocentric Europe European art example exhibition Ghana global art history Heidegger historians history of art human idea images Indian institutional interest interpretive issue James Elkins Japan Japanese art Kumasi language Latin America linguistic means models modern multiculturalism museum narrative non-Western art notion objects Oriental perspective political possible postcolonial practices problem produced question Real Spaces recent relation scholars scholarship sculpture sense social spatial specific story structure Summers's teaching Teotihuacán textbooks texts theory thing tion traditions translation understanding University College Cork University Press visual culture visual studies West Western art history Wölfflin world art history writing