The Acrylic Painting BookFirst published in the United States by Watson-Guptill Publications in 1978. |
From inside the book
Results 1-3 of 40
Page 115
... burnt umber or burnt si- enna . You can also use just a little phthalocyanine blue or phthalo- cyanine green , burnt umber or burnt sienna , yellow ochre , and white , or mars black , cadmium yellow , and white . You can quickly ...
... burnt umber or burnt si- enna . You can also use just a little phthalocyanine blue or phthalo- cyanine green , burnt umber or burnt sienna , yellow ochre , and white , or mars black , cadmium yellow , and white . You can quickly ...
Page 116
... umber , burnt sienna , or yellow ochre . Pond in Deep Woods . Sur- rounded by the shadowy forms of trees and rocks ... burnt umber , ultramarine blue , yellow ochre , and white . You can also produce myste- rious , shadowy mixtures with ...
... umber , burnt sienna , or yellow ochre . Pond in Deep Woods . Sur- rounded by the shadowy forms of trees and rocks ... burnt umber , ultramarine blue , yellow ochre , and white . You can also produce myste- rious , shadowy mixtures with ...
Page 135
... burnt umber , ultramarine blue , a little cadmium red , and some white . The paint is thinned with water and a little gloss medium to a creamy consis- tency ; thus the flat nylon brush carries the paint across the board in smooth ...
... burnt umber , ultramarine blue , a little cadmium red , and some white . The paint is thinned with water and a little gloss medium to a creamy consis- tency ; thus the flat nylon brush carries the paint across the board in smooth ...
Common terms and phrases
acrylic painting areas beach beach grass blades blend bristle brush brush adds brush draws brush picks brushstrokes brushwork burnt sienna burnt umber cadmium red cadmium yellow canvas clouds covered cyanine dark strokes diluted dries drybrush strokes dunes enna flat softhair brush fluid color foam foliage foreground gesso glaze gloss medium grass headland Hooker's green horizon illustration board landscape layer leaves light and shadow lots of water marine blue mars black mixture of ultramarine naphthol crimson opaque color opaque technique painting surface pale paler palette patches pencil drawing pencil lines phthalo phthalocyanine blue picture rock formation rough round brush round softhair brush scrubbed scumbling strokes shadow sides shadow tones shapes sky tone soft Step suggest surf texture textured paint thick color thin tinted transparent color trunks and branches tube color ture ultra ultramarine blue wash watercolor paper white is added yellow ochre