The Acrylic Painting BookFirst published in the United States by Watson-Guptill Publications in 1978. |
From inside the book
Results 1-3 of 41
Page 88
... covered with a pale tone that will later become sea and sky . When this tone is dry , the rock for- mation in the foreground and the smaller rock formation in the dis- tance are both covered with a claylike mixture of acrylic model- ing ...
... covered with a pale tone that will later become sea and sky . When this tone is dry , the rock for- mation in the foreground and the smaller rock formation in the dis- tance are both covered with a claylike mixture of acrylic model- ing ...
Page 138
... covered with a transparent mixture of phthalocyanine green and a little burnt sienna , plus plenty of water . The tone is painted with a big , flat brush , leaving obvious brushstrokes that will soon be covered with opaque color . The ...
... covered with a transparent mixture of phthalocyanine green and a little burnt sienna , plus plenty of water . The tone is painted with a big , flat brush , leaving obvious brushstrokes that will soon be covered with opaque color . The ...
Page 180
... covered with strokes of opaque color . Step 2. The sky and sea are quickly covered with opaque tones containing lots of white . It's impor- tant to lighten your tube colors with white , not with water . The foam will be painted with ...
... covered with strokes of opaque color . Step 2. The sky and sea are quickly covered with opaque tones containing lots of white . It's impor- tant to lighten your tube colors with white , not with water . The foam will be painted with ...
Common terms and phrases
acrylic painting areas beach beach grass blades blend bristle brush brush adds brush picks brushstrokes brushwork burnt sienna burnt umber cadmium red cadmium yellow canvas clouds covered cyanine dark strokes diluted dries drybrush strokes dunes enna flat softhair brush fluid color foam foliage foreground gesso glaze gloss medium grass headland Hooker's green horizon illustration board landscape layer leaves light and shadow lots of water marine blue mars black mixture of ultramarine naphthol crimson opaque color opaque technique painting surface pale paler palette patches pencil drawing pencil lines phthalo phthalocyanine blue picture rock formation rough round brush round softhair brush scrubbed scumbling strokes shadow sides shadow tones shapes sky tone soft Step suggest surf texture textured paint thick color thin tinted transparent color treetrunks trunks and branches tube color ture ultra ultramarine blue wash watercolor paper white is added yellow ochre