Exploding AestheticsToday, many visual artists are giving the cold shoulder to the static, isolated concept of visual art and searching instead for novel, dynamic connections to different image strategies. Because of that, visual art and aesthetics are both forced to reconsider their current positions and their traditional apparatus of concepts. In that process, many questions surface. To mention a few: Could the characteristics of an artistic image and its specific manner of signification be determined in a world which is entirely aesthetisized? What would be the consequences of a variety of image strategies for aesthetic experience? Would it be possible to develop a form of cultural criticism by means of artistic activities in a culture awash in images? In order to answer such questions, aesthetics as a philosophy of art needs to transform its field into a critical philosophy of topical visual culture. As an impetus to such a reinterpretation of the visual working area, the L & B Series organized three symposia evenings under the title "Exploding Aesthetics", in cooperation with De Appel Center for Contemporary Art, Amsterdam. Besides the presentations and discussions from these symposia, this volume includes various arguments, positions, and statements in both articles and interviews by a variety of visual artists, designers, advertising professionals, theorists and curators. The participants are: Mieke Bal, Annette W. Balkema, Peg Brand, Experimental Jetset, Liam Gillick, Jeanne van Heeswijk, Martin Jay, KesselsKramer, Friedrich Kittler, Maria Lind, Wim Michels, Nicholas Mirzoeff, Planet Art, Joke Robaard, Annemieke Roobeek, Remko Scha, Rob Schröder, Henk Slager, Richard Shusterman, Pauline Terreehorst, Wolfgang Welsch and Marie-Lou Witmer. |
What people are saying - Write a review
We haven't found any reviews in the usual places.
Contents
9 | |
10 | |
13 | |
16 | |
21 | |
Richard Shusterman Aesthetic Experience and Cyborg Interpretation | 27 |
Rob Schröder Aesthetic Sanctuaries | 33 |
Remko Scha Esthetics Technology New Media | 40 |
Orlan and Morimura | 92 |
Pauline Terreehorst Furnishing Realities | 105 |
Mieke Bal Performance and Performativity | 110 |
Nicholas Mirzoeff Intervisuality | 124 |
Wolfgang Welsch Transartistic Theory | 134 |
IMAGE AND DECISION | 137 |
Liam Gillick Distraction Wim Michels Concept Development Process and Decisions | 139 |
Discussion Image and Decision | 149 |
Annette W Balkema Five Scoops | 48 |
Friedrich Kittler Experience in the Era of Information | 59 |
BRAND AND STYLING | 67 |
Joke Robaard Fashionism | 69 |
MarieLou Witmer The Art of Branding | 78 |
Discussion Brand and Styling | 84 |
KesselsKramer Staging Styles | 88 |
Art Architecture Design | 155 |
Henk Slager Differential Iconography | 162 |
Report Das Bild IAA Seminar | 167 |
PlanetArt Guardians of Evolution | 171 |
175_Jeanne van Heeswijk Fleeting Images of Community 179 Martin Jay MetaScopic Regimes | 179 |
Other editions - View all
Common terms and phrases
able activities advertising aesthetic experience artists audience beauty become believe brand claims communication companies concept connected consider contemporary context continue course create creative critical culture developed discourse discussion domain Economy Editors effect emerged entirely ethical example exhibition Experimental fact fashion feel field function global graphic human idea important interaction interesting involved kinds language live longer look marketing meaning memory metaphor move museum nature objects once painting performance person philosophical photograph picture play position possible practice present production question reality recent refer result seems sense shift sort space specific started strategies television theory things thought tion traditional turn understanding University virtual vision visual art visual culture