Ambiguous Images: Gender and Rock Art
What does rock art say about gender and how can our understanding of gender shape the way that we view rock art? A significant contribution to the relatively unexplored field of gender in rock art, this volume contains a wealth of information for archaeologists, anthropologists, and art historians interested in past gender systems. Hays-Gilpin argues that art is at once a product of its physical and social environment and at the same time a tool of influence in shaping behavior and ideas within a society. Taking this stance, rock art is shown to be very often one of the strongest lines of evidence avaliable to scholars in understanding ritual practices, gender roles, and ideologicial constructs of prehistoric peoples. Subsequently issues of representation and the people who made these forms of art are also discussed.
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Rock Art and Gender on the Margins
Recognizing Sex and Gender
Engendering and Degendering Paleolithic Europes Cave Paintings
Regendering Fertility Shrines in the West
Separate Spheres Who Made Rock Art?
Life Cycles and Puberty Rites
Maidens and Flute Players in the Southwest
Sacred Landscapes and Social Landscapes
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Page 228 - Lewis- Williams, J. David, and Thomas A. Dowson. 1988. The Signs of All Times: Entoptic Phenomena and Upper Palaeolithic Art.