The Cambridge Companion to Eighteenth-Century Poetry
The Cambridge Companion to Eighteenth-Century Poetry analyzes major premises, preoccupations, and practices of English poets writing from 1700 to the 1790s. These specially-commissioned essays avoid familiar categories and single-author approaches to look at the century afresh. Chapters consider such large poetic themes as nature, the city, political passions, the relation of death to desire and dreams, appeals to an imagined future, and the meanings of 'sensibility'. Other chapters explore historical developments such as the connection between poetic couplets and conversation, the conditions of publication, changing theories of poetry and imagination, growing numbers of women poets and readers, the rise of a self-consciously national tradition, and the place of lyric poetry in thought and practice. The essays are well supported by supplementary material including a chronology of the period and detailed guides to further reading. Altogether the volume provides an invaluable resource for scholars and students.
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Introduction the future of eighteenthcentury poetry
Couplets and conversation
Publishing and reading poetry
The city in eighteenthcentury poetry
Questions in poetics why and how poetry matters
Eighteenthcentury women poets and readers
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Addison Akenside Alexander Pope Augustan ballad booksellers Britain British Cambridge Companion Cambridge University Press century Charlotte Smith claim Clarendon Press classical Collins contemporary couplets Cowper critics culture death dreams Dryden Dunciad edited eighteenth eighteenth-century poetry Elegy Eloisa to Abelard emotion English poetry epic Epistle Essay fancy feeling genre georgic Gray Gray's human imagination imitation John Joseph Addison Joseph Warton kind Lady landscape language lines literary literature living London lyric Mark Akenside Mary Mary Leapor Milton Miscellanies modern moral Muse nature ode writers Oxford University Press passions Patriot pleasure poem poet's poetic poetry of sensibility poets political Pope's popular prose published readers reading rhyme Robert Romantic Samuel Johnson satire sense social song sonnet Spenser stanzas sublime Swift Thomas Thomas Gray Thomas Warton Thomson tion Tory tradition verse voice Walpole Whig William William Cowper women poets Wordsworth writing