Sinascape: Contemporary Chinese Cinema
Sinascape: Contemporary Chinese Cinema is one of the most comprehensive studies of transnational Chinese-language films at the turn of the millennium. Gary Xu combines a close reading of contemporary movies from China, Taiwan, and Hong Kong with an intimate look into the transnational Chinese film industry, based on his working relationship with filmmakers. He coins the word "sinascape" to reflect on the intersection between Chinese cinema and global cultural production, referring to cinematic representations of ethnic Chinese people around the globe. Sinascape describes contemporary Chinese cinema as a global network and a group of contact zones where ideologies clash, new identities emerge (through both border crossings and resistance to globalization), and visual innovations and progressive visions become possible. General readers, film enthusiasts, and critics alike will benefit from Xu's discussion of popular film, which leads to a broader conversation about China's economic transformations, global politics, and cultural production. Including discussion of films like Hero, House of Flying Daggers, Kung Fu Hustle, Devils on the Doorstep, Suzhou River, Beijing Bicycle, Millennium Mambo, Goodbye Dragon Inn, and Hollywood Hong Kong, the book emphasizes the transnational nature of contemporary Chinese cinema.
What people are saying - Write a review
We haven't found any reviews in the usual places.
Other editions - View all
Ah Hao American audience aura become Beijing Bicycle Beijing's black-and-white camera Chan's Chen China China's century Chinese cinema Chinese culture Chinese film Chow cinematic mode copyright industries Dasan Deleuze Devils directors Doorstep Dragon DVDs East Asian films ethnic Feng Figure film industry film production film's filmic filmmaking Flying Daggers Fruit Chan global Hero Hollywood Hong Kong Hong Kong cinema Hou Hsiao-hsien Hou's House of Flying Huang ideascape identity Japanese Jiang Wen Jiang Wen's Kong's Kung Fu Hustle Lou Ye Mada mainland martial arts Meimei memories Millennium Mambo mode of production modern movie Mudan narrative narrator nature old theater piracy political postsocialist Qin Shihuang realism remakes scene screen Shanghai Shaw Brothers Sinascape social Stephen Chow's story studio suzhi Suzhou River symbolic Taipei Taiwan Taiwanese time-image transnational transnationalism trauma Tsai Ming-liang Tsai's twenty-first century urban Vicky Vicky's violence visual Wall Wang Xiaoshuai Xiangzi Zhang Yimou's
Page 17 - These terms with the common suffix -scape also indicate that these are not objectively given relations that look the same from every angle of vision but, rather, that they are deeply perspectival constructs, inflected by the historical, linguistic, and political situatedness of different sorts of actors...