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Books Books 1 - 10 of 13 on The dramatic form is reached when the vitality which has flowed and eddied round....
" The dramatic form is reached when the vitality which has flowed and eddied round each person fills every person with such vital force that he or she assumes a proper and intangible esthetic life. "
A Portrait of the Artist as a Young Man - Page 252
by James Joyce - 1916 - 299 pages
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Le texte du roman: approche sémiologique d'une structure discursive ...

Julia Kristeva - Criticism, Textual - 1970 - 209 pages
...rhétorique, le sujet 'je' ï7 c'est le sujet de la littérature, '•'•" "The personality of the anist, at first a cry or a cadence, or a mood and then a...and lambent narrative, finally REFINES ITSELF OUT EXISTENCE, impersonalizas itself, so to speak. The esthetic image in the dramatic form is life purified...
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James Joyce's Aesthetic Theory: Its Development and Application

Dolf Sörensen - Literary Criticism - 1977 - 96 pages
...in which the artist detaches himself becomes less formulaic and consequently gains in meaning: "The dramatic form is reached when the vitality which has...such vital force that he or she assumes a proper and more tangible esthetic life. The personality of the artist, ar first a cry or a cadence or a mood and...
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James Joyce, the Citizen and the Artist

Charles Peake - Literary Criticism - 1977 - 369 pages
...of expressing itself in a personal outburst of emotion, or flowing round the characters and action, 'fills every person with such vital force that he...she assumes a proper and intangible esthetic life.' His personality 'finally refines itself out of existence, impersonalises itself, and 'the mystery of...
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Ulysses, the Mechanics of Meaning

David Hayman - Literary Criticism - 1982 - 172 pages
...the action. . . . The dramatic form is reached when the vitality which has flowed and eddied around each person fills every person with such vital force...she assumes a proper and intangible esthetic life. (Portrait, pp. 214-15) Substituting the word character for the term "artist," we find that Stephen's...
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The Aesthetics of Dedalus and Bloom

Marguerite Harkness - Literary Criticism - 1984 - 212 pages
...Portrait, the dramatic energy of art is imaged as a sea as the vitality which has flowed and eddied around each person fills every person with such vital force...narrative, finally refines itself out of existence, impersonahses itself. . . . The esthetic image in the dramatic form is life purified in and reprojected...
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James Joyce

Patrick Parrinder - Literary Criticism - 1984 - 262 pages
...fulfilled by the writing of the Portrait itself. The third stage - the dramatic form which is realized when 'the vitality which has flowed and eddied round...person fills every person with such vital force that heor she assumes a proper and intangible esthetic life' (P215) - is still more a prophecy for the future....
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James Joyce: The Centennial Symposium

Morris Beja - Fiction - 1986 - 234 pages
...personality of the artist passes into the narration itself . . ." and in the dramatic form, that personality "fills every person with such vital force that he...she assumes a proper and intangible esthetic life" (P 215). The author's vitality here is a substance that he injects into the work: there it becomes...
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The Vanishing Subject: Early Psychology and Literary Modernism

Judith Ryan - Literary Collections - 1991 - 267 pages
...takes up and adapts, in effect, Pater's view of the relation between the artist's self and his work: "The personality of the artist, at first a cry or...narrative, finally refines itself out of existence, impersonalises itself, so to speak" (p. 244). Pater's Imaginary Portraits do just that. The word "lambent"...
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The Autobiographical Novel of Co-consciousness: Goncharov, Woolf, and Joyce

Galya Diment - Literary Criticism - 1994 - 199 pages
...can first disperse "the vitality which has flown and eddied round each person," and then "fill . . . every person with such vital force that he or she assumes a proper and intangible esthetic life." Having achieved this "esthetic life" and thus having become not only actors in their own story but...
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The First Moderns: Profiles in the Origins of Twentieth-Century Thought

William R. Everdell - Art - 1997 - 501 pages
...too long ago, that all forms progressed from the merely selfexpressive to the dramatic, "reached when the . . . personality of the artist, at first a cry...narrative, finally refines itself out of existence" and the artist, "like the God of the creation, remains within or behind or beyond or above his handiwork,...
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