Fine Art, Chiefly ContemporaryReprint of the original, first published in 1867. |
Contents
STYLE SUBJECTMATTER AND SUCCESSES IN ART I | 1 |
HOLMAN HUNT | 29 |
THE EXTERNALS OF SACRED ART | 40 |
THE EPOCHS OF ART AS REPRESENTED IN THE CRYSTAL | 51 |
THE INTERNATIONAL EXHIBITIONS OF | 93 |
V | 143 |
CRITIQUES ON CONTEMPORARY PAINTERS AND DESIGNERS | 178 |
MILLAIS | 187 |
MACLISE | 245 |
LEIGHTON | 254 |
WHISTLER | 272 |
LEECH | 282 |
MR PALGRAVE AND UNPROFESSIONAL CRITICISMS | 324 |
BRITISH SCULPTURE ITS POSITION AND PROSPECTS | 335 |
JAPANESE WOODCUTS | 363 |
A converted British Family sheltering a Christian Mission | 233 |
Other editions - View all
Common terms and phrases
according actual admirable already appears architecture artist beauty better British called character colour conception Court critical detail direct distinct effect England English equally especially example excellent execution Exhibition expression face fact faculty feeling figures follow foreign French genius German give Gothic art Greek ground hand head historic human ideal important impression individual influence instance interest invention Italy kind landscape less light living look matter means mind nature object original painter painting perfect perhaps period pictorial picture position practice Præraphaelite present principle produced qualities question realized remains represented respect result rules scarcely sculpture seems sense spirit stands statues strong style term thing thought treatment true truth Turner whole