Roger Fry, Art and LifeTraces the career of the nineteenth-century English art critic and painter, who associated with the Bloomsbury group, Picasso, and Bernard Shaw |
Contents
Cambridge | 16 |
Painting and Romance | 31 |
Marriage and Old Masters | 57 |
American Millionaires | 81 |
New Foundations | 108 |
Love and Colour | 123 |
Significant Form | 153 |
Omega | 174 |
The War Years | 196 |
Vision and Design | 222 |
The White Knight | 246 |
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Common terms and phrases
abstract aesthetic arrived artists Ashbee beauty Berenson Bernard Bloomsbury British Burlington Magazine Cambridge Cézanne Cézanne's Chatto and Windus classical Clive Bell colour critic Cubism decorative developed Diamand Diary Duncan Grant Durbins E. M. Forster Edward Fry emotional England English Art Club essays experience expression feeling Fitzroy French friends friendship Fry wrote Fry's Goldsworthy Lowes Dickinson Hogarth Press Ibid idea Impressionists interest Italian art King's College Lady Ottoline landscape later lectures Letters of Roger Lewis London looked Margery Matisse Mauron Metropolitan Museum mind modern art Morgan nature never Nina Hamnett Oil on canvas Old Masters Omega Workshops painter painting Pamela Paris Photograph Picasso Plate portrait Post-Impressionism Post-Impressionist Post-Impressionist exhibition praised Private Collection Quaker Quentin Bell realise Roger Fry Rothenstein seems Sickert Sir Edward Strachey studio style Sutton taste took Vanessa Bell Virginia Woolf Vision and Design Widdrington young