Photography's Antiquarian Avant-Garde: The New Wave in Old ProcessesIt started in the 1970s with a group of artists seeking to reengage the physical facts of photography, its materials and processes, by turning to the history of photography for metaphors, technical information, and visual inspiration. By the 1980s it had become a movement with a fervent following. And now, for the first time in book form, Photography's Antiquarian Avant-Garde charts this full-blown rebellion of contemporary photographers against the advent of digital technology and their reversion to photographic methods used in the nineteenth century. By beginning with a narrative history of photography that allows the reader to understand the forebears of this movement, author Lyle Rexer provides a context for engaging with the contemporary work. For all of the artists illustrated, stepping into the past is a way to reimagine and redirect not only the photographic object, but the very act of photography itself. In each subsequent chapter, he introduces the reader to a different technique and, along with providing vivid insights into the creative processes of the artists, makes visible the astonishing diversity of their work. The photographers in this volume are from all over the world and use a wide array of processes. Among the artists and methods featured are Adam Fuss's Cibachrome photograms, Jayne Hinds Bidaut's tintypes, Jerry Spagnoli's daguerreotypes, Gabor Kerekes's carbon dichromates, and Laurent Millet's toned silver prints. An interview with Sally Mann about her collodion prints and a statement written by Chuck Close about his work with daguerreotypes give the reader a clear sense of what has driven them to pursue these long-obsolete processes. The book is completed by a glossary of technical terms to enhance the reader's understanding of the technical aspects of each process. Fans of photography will prize this beautifully illustrated volume by Rexer (a contributor to Aperture who has written other catalogs on photography and contemporary art). The current movement to use 19th-century techniques is described. Five of these techniques each get their own essay, namely, daguerreotype, tintype, cyanotype, photograms, and glass plates. Two additional essays include an interview with Sally Mann, and an essay by Chuck Close on his use of daguerreotype. A technical glossary is provided. |
Contents
Fine | 18 |
Looking Forward by Looking Backward 22 The Antiquarian AvantGarde | 23 |
Daguerreotypes Resurrected | 29 |
Copyright | |
11 other sections not shown
Common terms and phrases
20 inches Adam Fuss aesthetic albumen print ambrotype Anna Atkins antiquarian avant-garde artists began blue calotype calotype negative century chemical chloride chrysotype Chuck Close clarity collodion collodion images collodion on glass color contemporary create cultural cyanotype Daguerre daguerreotype daguerreotypists dark darkroom decades developed dyke print Early photographers Edward Steichen Estabrook's exposed exposure film France Scully Osterman Gallery gelatin silver glass negative glass plate gold graphic gum bichromate gum print Henry Fox Talbot image appears imagery invented Jayne Hinds Bidaut Jerry Spagnoli John Coffer kallitype landscape lens light light-sensitive look medium metaphor Modern Art nature nineteenth nineteenth-century object old-process painting paper negative Photo-Secession photogenic drawing photogram photographic art photographic image photographic process picture pinhole camera platinum portraits positive produce reality Robert Sally Mann salt print sensitized silver gelatin print silver halides silver nitrate surface techniques things tintype tion tographic toned vision visual wet-plate William Henry Fox York