Robert Motherwell: With Pen and Brush

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Reaktion Books, 2003 - Art - 207 pages
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Robert Motherwell was by far the most intellectual and articulate of the Abstract Expressionists. This book, written by a friend of the artist, the well-known writer and critic Mary Ann Caws, examines Motherwell’s way of thinking and writing in relation to his paintings. The artist, American by birth, yet simultaneously American and European in his way of visualizing and vocalizing artistic and philosophical traditions, always worked between these two poles, and it is this tension that imbues his œuvre with its particular intensity.

The author bases her analysis of Motherwell on the artist’s own writings and readings, as well as on extensive conversations and interviews with him. She considers his work and interests in relation to those of other Abstract Expressionists as well as to the work of the Surrealists. Her book highlights his deep attraction to France and French literature and art, and his concern with the idea of elegy and the tragedy of the Spanish Civil War. His singularly American spirit provided him with a manner of painting and thinking unique among the Abstract Expressionists, as well as with a distinctive and highly personal filter through which to interpret his fascination with European literature and history.
 

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Robert Motherwell: with pen and brush

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Though quite different in scope and intention, these books indicate the continued importance of Robert Motherwell (1915-91) to the 20th-century art canon. Both leading scholars of the American ... Read full review

Contents

Preface
7
A Short Biography
14
Painter Writer and Reader
21
America and Europe
33
Individual and Public
50
Feeling and Violence
63
Surrealism and Spontaneity
76
Baudelaire and Mallarme
94
Working Through the Night
116
Joyce and Yeats
138
Lorca Beckett Alberti
147
Whitman Stevens Olson
154
Harmony of Consciousness
166
Back to the Studio
174
Looking Again Now
180
Copyright

Matisse Stevens and Schwartz
103

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About the author (2003)

Mary Ann Caws is Distinguished Professor of Comparative Literature, English and French at the City University of New York. She is the author of André Breton (1996), The Surrealist Look: An Erotics of Encounter (1997) and Dora Maar: With and Without Picasso (2000).

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