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The Mask in Ritual and Theatre
Masks and Spirits in Igbo
CLARA BRAKEL 19 Masked Dances Spirit Worship and
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acting action actors Aeschylus analysis appears Arab artistic Assaph audience Aviv University Beckett Biblical body Book of Esther Cambridge catharsis characters cognitive Comedy concept costumes Craig created cultural dance drama dream emotions Estragon example expression fictional world frogs function genre Godot Gordin Greek Habimah Hebrew Holocaust human ibid iconic Igbo intertextual Ionesco Irving Israel Israeli Jan Fabre Jewish Kantor King Lear Land of Israel language London Maddy mask meaning metaphor Mirele Mirele Efros movement myth mythical narrative objects offstage performing space Philip play playwright political present production Purim reality reference relationship religious Renaissance representation ritual role sacred scene scenic secular semiotic sense Shakespeare significant social spatial spectators stage Stanislavski's Stoppard structure symbolic Tartuffe Tennessee Williams Theatre Studies theatrical performance theatrical space tradition transformed ultra-orthodox University Press verbal visual Williams's words Yiddish Yiddish theatre York