Perilous Chastity: Women and Illness in Pre-Enlightenment Art and Medicine

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Cornell University Press, 1995 - Art - 297 pages
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"From Publishers Weekly : Until the late 17th century, the womb was regarded as discrete and animate. Hungry for male seed, if unsatisfied it wandered the body, causing illness and bodily distress. Known as hysteria or uterine furies, the idea of the denied womb had its origins in the Hippocratic belief in the dangers of sexual abstinence. Women were considered frail from birth, their anatomy predisposing them to weakness and instability. Their health?at times their very lives?could be endangered by virginity. Wonderfully engaging, this unique study shows how art reveals a misogynistic medical establishment's attitudes toward women. Dixon traces the origins of "hysteria," richly illustrating her analysis with more than 100 paintings from the 13th through the 18th centuries, focusing primarily on 17th-century Dutch works. The paintings are filled with metaphors for and erotic references to the denied womb. The lovesick maiden; the pale, languishing patient; the doctor's visit; the chamber pot in the maiden's sickroom; all reveal the ancient link between sex and illness. By examining these paintings as documents with references to the medical discourse of the time, Dixon looks at art in light of history and the strong influence of scientific dogma on our cultural heritage."--via

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Page 281 - Academic, wherein is discoursed the institution of maners, and whatsoever els concerneth the good and happie life of all estates and callings, by precepts of doctrine, and examples of the lives of ancient sages and famous men.

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About the author (1995)

Laurinda S. Dixon is Professor of Art History in the Department of Art and Music Histories at Syracuse University.

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