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A. A. Milne able achieved amateur photography apparatus artists attitude became began Britain calotype camera obscura CHAPTER clients collodion collodion process colour considerable number contemporary countries Daguerre Daguerre's daguerreotype daguerreotypists daily David Octavius Hill dry plate early Eastman emulsion England engravings Exhibition experiments exposure fees felt film Fox Talbot Francaise de Photographie France French Germany glass grapher graphy half-tone hand idea improved interest invention kind Kodak later lens lenses light lived London Louis Golding LUCIA MOHOLY Max Dauthendey ments method modern Muybridge Nadar negative newspapers nineteenth century Norman Angell number of photographs object painters painting paper Paris patent Pencil of Nature Penguin period person Photographic Society pictorial portrait photographers portrait taken portraiture printed published realise retouching Robert Gibbings Royal Science Museum silhouettes silver social Societe Francaise studio take photographs taking pictures technical technique tion tone values took various Victoria