Ray Johnson: how sad I am today--
Morris and Helen Belkin Art Gallery, 1999 - Art - 149 pages
A comprehensive look at the work of Ray Johnson, the seminal American collage artist whose innovative oeuvre has been ignored by the self-referential mainstream art press. Critical essays investigate Johnson's imagination of mass culture and communication systems, his queer subjectivity and his insightful engagements with art movements of the 1960s including Fluxus, Pop Art and Conceptualism. Discover the rich legacy of an artist the art establishment doesn't want you to know about.
89 pages matching Helen Belkin Art in this book
Results 1-3 of 89
What people are saying - Write a review
We haven't found any reviews in the usual places.
Final Exam at the NYCS
3 other sections not shown
21.5 cm Collection 28x21.5 cm Collection 3.8 cm Collection aesthetic Alvin Balkind Andy Warhol Anna Banana April Belkin Art Gallery Black Mountain College Buddha University Canadian cm Collection collage Concrete Poetry Contemporary Art Corres Sponge Dance Courtesy of Richard cultural ecology curator Dana Atchley Eric Metcalfe Estate of Ray Feigen Gallery felt pen File Megazine George Brecht Glenn Lewis Group exhibitions Helen Belkin Art horse Idea Image Bank ink and rubber Intermedia John Cage Joseph Cornell Letter to Alvin Letter to Michael magazine mail art mail event mailing 28 Marcel Duchamp Michael Morris Morris and Helen Morris/Trasov Archive NYCS Offset mailing painting Peanut pen and rubber performance Peter Schuyff Postcard Ray Johnson Courtesy Ray Johnson Letter Ray Johnson Untitled Robert Smithson rubber stamp School of Vancouver Solo exhibitions Sponge Dance School stamp on paper Toronto Vincent Trasov Wilson Xerox mailing ybw buuv York Corres York Correspondence School