New Light On Old Masters
In the fourth and concluding volume of his classic series of essays on the Renaissance, Ernst Gombrich focuses mainly on individual artists, with illuminating studies of the works of some of the greatest masters - Giotto, Leonardo da Vinci, Raphael, Giulio Romano and Michelangelo. With the originality of mind and lucidity of expression that are his hallmarks, he re-examines texts and documents in order to throw new light on familiar works. Undogmatic in their approach to methods of inquiry, and demonstrating a profound concern with the standards and values of our cultural heritage, these essays are not only models of good art-historical writing, but they also represent a vitally important humanistic tradition in scholarship and criticism.
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Towards a Commentary on
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achieve altar ancient Antonio Pucci appearance artist asked Baldassare Castiglione beautiful Botticelli British Museum cartoon Castiglione century Chapel Christ Cimabue claim Codex Urbinas colour Condivi Corso Donati Dante's dark Detail of Fig diagram Divine document drawing effects Epiphanias fact famous Federico figure Filippo Lippi Florence frescoes Gentile da Fabriano Giotto Giotto's portrait Giulio Romano Gonzaga head idea ideal illuminated imitation interpretation Italian John Ruskin Leonardo da Vinci letter light London look Madonna Mantua master Michelangelo Milan mind miracle mountains National Gallery nature never observation painter Palazzo Paragone passage perfection Perugino Pietro Podesta portrait of Dante praise prophecies Pucci quoted Raphael refers Renaissance rhetoric Rome Royal Library Ruskin Sala schema science of painting Sebastiano Sebastiano del Piombo seen shadow speak style tion tradition Transfiguration transparent Trattato trees Uffizi Vasari Vatican Verrocchio Vita Windsor words workshop