The Book of Margery Kempe: Scholarship, Community, and Criticism
The history of <I>The Book of Margery Kempe from its first production in 1934 is also part of the history of English literary studies. Marea Mitchell traces some of the fascinating stories behind the proliferation of productions since then, including the involvement of Hope Emily Allen and other independent women scholars, popular receptions of the Book in World War II, and current productions that locate it as part of a medieval literary canon. Working from a cultural materialist perspective, Mitchell focuses on the materiality of the text itself and of the bodies of scholarship that have arisen around it.
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A Literary Event Reporting The Book of Margery Kempe
Reproducing the Texts
ReReading The Book of Margery Kempe
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Allen wrote annotations archival argued audience autobiography Bodleian Book of Margery Bryn Mawr College Cambridge chapter Collis concerns contemporary context cultural materialism cultural materialist debates described discussion EETS edition Eileen Power Ellen Holbrook Ellis England English Letters English Text example female feminism feminist fifteenth-century focussed gender Henry Pepwell Hirsh Hope Allen Hope Emily Allen Ibid identified interest interpretation issues Joan Wake Julian of Norwich Kempe criticism Kempe manuscript Kempe studies Kempe text Kempe's kind King's Lynn literary Lollardy London Mabel Day Margery Kempe medieval studies medieval texts Meech Middle English Modern Version modernised newspaper Northamptonshire Oliger Oneida Oneida community particular priest production provides Raymond Williams reader religious role Sacrament Salthouse manuscript sche scholarly scholars scholarship seen sense seyd significant social specifically spiritual story suggests tale Triggs twentieth century understanding University Press woman women writing wyth York