Gambit: An International Drama Quarterly, Issues 17-241970 - Drama |
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Page 22
... live in the sort of society I've been describing , an authoritarian society like that , which is built on somebody ... live through that experience . Our society is not geared to the protection , love , and care of the child . Now you ...
... live in the sort of society I've been describing , an authoritarian society like that , which is built on somebody ... live through that experience . Our society is not geared to the protection , love , and care of the child . Now you ...
Page 142
... live pretty much in various projections of the future ; I really live there . I live in a situation where it's possible to come into the room and dial one's video- console for whatever you like , and immediately on telex is fed back the ...
... live pretty much in various projections of the future ; I really live there . I live in a situation where it's possible to come into the room and dial one's video- console for whatever you like , and immediately on telex is fed back the ...
Page 61
... live one's life on such a basis , but one must live one's life on this basis . This paradox is at the heart of the play . But the centre of the book is , of course , the very precise and detailed notes which Genet made during the ...
... live one's life on such a basis , but one must live one's life on this basis . This paradox is at the heart of the play . But the centre of the book is , of course , the very precise and detailed notes which Genet made during the ...
Contents
gambil INTERNATIONAL THEATRE REVIEW | 19 |
Number | 20 |
gambit INTERNATIONAL THEATRE REVIEW | 21 |
Copyright | |
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AC/DC actors artistic Arts Council audience Bartholomew Fair BEVERLY BOYARS Brecht BROPHY CALDER characters comes critical cultural director drama dramatist DRUM MAJOR Edward Bond experience fact feel film fringe fringe theatre fuckin fucking GARY German give gonna hand happened head Heathcote Williams HOBSON human HUNK Ian Brady idea Irving Wardle Joan Littlewood Jonson kind LEONARD live London look Lulu Makbeth MARIE MAURICE mean MELODY move National Theatre NESTINE never performance PEROWNE PETER play playwright political PRIEST problems production rehearsal revolution round Royal Court Royal Court Theatre SADIE scene seems sense Shakespeare Sheila Kelley shit SMILES social society sort spectacle stage STAMPER stares story style subsidy ta'zieh talking television tell theatrical there's thing thought trying Volpone WARDLE What's whole woman WOYZECK write Yeah