Gambit: An International Drama Quarterly, Issues 17-241970 - Drama |
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Page 59
... story of the storming of the Bastille as they would to children of five or six , while keeping to the strict narration of events and forgetting for a while all political interpretations . The same story is repeated , this time for ...
... story of the storming of the Bastille as they would to children of five or six , while keeping to the strict narration of events and forgetting for a while all political interpretations . The same story is repeated , this time for ...
Page 15
... story . We made an opening for them to come in and improvize . The actors knew the story , so within that framework it was open to improvization . There was one story of a girl who went to a psychiatrist , very upset . We split it up so ...
... story . We made an opening for them to come in and improvize . The actors knew the story , so within that framework it was open to improvization . There was one story of a girl who went to a psychiatrist , very upset . We split it up so ...
Page 45
... stories that could be made into a play but for the first few weeks the main task be- came simply containing the chaos that they brought into the room . There was no shortage of energy and the noise and confusion were phenomenal . The story ...
... stories that could be made into a play but for the first few weeks the main task be- came simply containing the chaos that they brought into the room . There was no shortage of energy and the noise and confusion were phenomenal . The story ...
Contents
gambil INTERNATIONAL THEATRE REVIEW | 19 |
Number | 20 |
gambit INTERNATIONAL THEATRE REVIEW | 21 |
Copyright | |
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AC/DC actors artistic Arts Council audience Bartholomew Fair BEVERLY BOYARS Brecht BROPHY CALDER characters comes critical cultural director drama dramatist DRUM MAJOR Edward Bond experience fact feel film fringe fringe theatre fuckin fucking GARY German give gonna hand happened head Heathcote Williams HOBSON human HUNK Ian Brady idea Irving Wardle Joan Littlewood Jonson kind LEONARD live London look Lulu Makbeth MARIE MAURICE mean MELODY move National Theatre NESTINE never performance PEROWNE PETER play playwright political PRIEST problems production rehearsal revolution round Royal Court Royal Court Theatre SADIE scene seems sense Shakespeare Sheila Kelley shit SMILES social society sort spectacle stage STAMPER stares story style subsidy ta'zieh talking television tell theatrical there's thing thought trying Volpone WARDLE What's whole woman WOYZECK write Yeah