Gambit: An International Drama Quarterly, Issues 17-241970 - Drama |
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Page 3
... theatrical activity . Thus , on one side , most of the space might go to a report on Britain's drama schools , or the operation of the theatrical underground ; or on the other , it might go to the publication of a single important new ...
... theatrical activity . Thus , on one side , most of the space might go to a report on Britain's drama schools , or the operation of the theatrical underground ; or on the other , it might go to the publication of a single important new ...
Page 71
... theatrical work is related to craft ... COPFERMANN . Yes and no . If a theatrical production does not exist in some industrialised way like the exported American musical comedy - then a nearly functional theatrical - activity produces a ...
... theatrical work is related to craft ... COPFERMANN . Yes and no . If a theatrical production does not exist in some industrialised way like the exported American musical comedy - then a nearly functional theatrical - activity produces a ...
Page 119
... theatrical ' ( in the purified sense of the word ) style of life , it is quite legitimate to submit · paradoxically swimming against the prevailing critical tide - that he was a thoroughbred ' theatrical ' creature who began by writing ...
... theatrical ' ( in the purified sense of the word ) style of life , it is quite legitimate to submit · paradoxically swimming against the prevailing critical tide - that he was a thoroughbred ' theatrical ' creature who began by writing ...
Contents
gambil INTERNATIONAL THEATRE REVIEW | 19 |
Number | 20 |
gambit INTERNATIONAL THEATRE REVIEW | 21 |
Copyright | |
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AC/DC actors artistic Arts Council audience Bartholomew Fair BEVERLY BOYARS Brecht BROPHY CALDER characters comes critical cultural director drama dramatist DRUM MAJOR Edward Bond experience fact feel film fringe fringe theatre fuckin fucking GARY German give gonna hand happened head Heathcote Williams HOBSON human HUNK Ian Brady idea Irving Wardle Joan Littlewood Jonson kind LEONARD live London look Lulu Makbeth MARIE MAURICE mean MELODY move National Theatre NESTINE never performance PEROWNE PETER play playwright political PRIEST problems production rehearsal revolution round Royal Court Royal Court Theatre SADIE scene seems sense Shakespeare Sheila Kelley shit SMILES social society sort spectacle stage STAMPER stares story style subsidy ta'zieh talking television tell theatrical there's thing thought trying Volpone WARDLE What's whole woman WOYZECK write Yeah