A Simple Twist of Fate: Bob Dylan and the Making of Blood on the Tracks

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Da Capo Press, 2005 - Biography & Autobiography - 246 pages
20 Reviews
In 1974 Bob Dylan wrote, recorded, reconsidered, and then re-recorded the best-selling studio album of his career. Blood on the Tracks was composed as Dylan's twelve-year marriage began to unravel, and songs like "Tangled Up in Blue" and "Shelter from the Storm" have become templates for multidimensional, adult songs of love and loss. Yet the story behind the creation of this album has never been fully told; even the credits on the present-day album sleeve are inaccurate. Dylan recorded the album twice-once in New York City and again in Minneapolis, with a rag-tag gang of local musicians, quickly rewriting many of the songs in the process. For A Simple Twist of Fate, the authors have interviewed the musicians and producers, industry insiders, and others, creating an engaging chronicle of how one musician channeled his pain and confusion into great art.
 

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Review: A Simple Twist of Fate: Bob Dylan and the Making of Blood on the Tracks

User Review  - Peter - Goodreads

I am a big fan of the album Blood On The Tracks and this is a not bad but not great telling of the circumstances behind the production of the album and in particular the two very different recording ... Read full review

Review: A Simple Twist of Fate: Bob Dylan and the Making of Blood on the Tracks

User Review  - Ron Jensen - Goodreads

First 2/3 of the book was pretty good. I learned some things about how recording sessions are put together and produced, and about Dylan's writing process. And I gained new understanding and ... Read full review

All 8 reviews »

Contents

Interlude
45
Chapter 5
81
Chapter 6
91
Chapter?
103
Chapter 8
123
Chapter 9
141
Chapter 10
179
Cue Sheets
213
Reviews
219
Special Thanks
231
Copyright

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About the author (2005)

Andy Gill is a leading critic for The Independent, and has edited or written for NME, Q, Mojo, Rolling Stone, GQ, and Maxim. He lives in London. Kevin Odegard was a brakeman on the Chicago and Northwestern Railroad when he was asked to play guitar on Blood on the Tracks. He has written for USA Today, Billboard, and other periodicals. He lives in Wayzata, Minnesota.

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