High Fidelity

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Penguin, Aug 1, 1996 - Fiction - 352 pages
74 Reviews
From the bestselling author of Funny Girl, About a Boy, and A Long Way Down, a wise and hilarious novel about love, heartbreak, and rock and roll.

Rob is a pop music junkie who runs his own semi-failing record store. His girlfriend, Laura, has just left him for the guy upstairs, and Rob is both miserable and relieved. After all, could he have spent his life with someone who has a bad record collection? Rob seeks refuge in the company of the offbeat clerks at his store, who endlessly review their top five films; top five Elvis Costello songs; top five episodes of Cheers.

Rob tries dating a singer, but maybe it’s just that he’s always wanted to sleep with someone who has a record contract. Then he sees Laura again. And Rob begins to think that life with kids, marriage, barbecues, and soft rock CDs might not be so bad. 


From the Trade Paperback edition.
 

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LibraryThing Review

User Review  - DeltaQueen50 - LibraryThing

I have read my fair share of break-up stories but they are pretty much almost always told from the female point of view. High Fidelity by Nick Hornby gives us the males point of view and it’s funny ... Read full review

LibraryThing Review

User Review  - SigmundFraud - LibraryThing

Nick Hornby is one of my favorite contemporary English novelist but I have now been disappointed twice. First with Juliet Naked and now with High Fidelity. I care for neither. The obsessive sex ... Read full review

Contents

Section 1
Section 2
Section 3
Section 4
Section 5
Section 6
Section 7
Section 8
Section 16
Section 17
Section 18
Section 19
Section 20
Section 21
Section 22
Section 23

Section 9
Section 10
Section 11
Section 12
Section 13
Section 14
Section 15
Section 24
Section 25
Section 26
Section 27
Section 28
Copyright

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About the author (1996)

Nick Hornby is the author of seven internationally bestselling novels (Funny Girl, High Fidelity, About a Boy, How to be Good, A Long Way Down, Slam and Juliet, Naked) and several works of  non-fiction including Fever Pitch, Songbook and Ten Years In The Tub. He has written screenplay adaptions of Lynn Barber’s An Education, nominated for an Academy Award, Cheryl Strayed's Wild and Colm Tóibín’s Brooklyn. He lives in London.


From the Trade Paperback edition.

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