The History of Photography: From 1839 to the PresentTraces the evolution of photography and offers vivid illustrations of technical innovations in this visual form of communication. |
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Page 66
... began to collect hundreds of portraits for this vast Panthéon - Nadar . Some were his own sketches , others were drawings by a staff of draftsmen he had assembled for the purpose . A few were contributed by the subjects themselves . The ...
... began to collect hundreds of portraits for this vast Panthéon - Nadar . Some were his own sketches , others were drawings by a staff of draftsmen he had assembled for the purpose . A few were contributed by the subjects themselves . The ...
Page 184
... began to raise magazine illus- tration to a creative level . ( See Chapter 14. ) Younger photographers in New York , particularly Paul Outerbridge , Jr. , Ralph Steiner , and Walker Evans , were quick to recognize in the early 1920s the ...
... began to raise magazine illus- tration to a creative level . ( See Chapter 14. ) Younger photographers in New York , particularly Paul Outerbridge , Jr. , Ralph Steiner , and Walker Evans , were quick to recognize in the early 1920s the ...
Page 192
... began to photograph as an avocation under the strong influence of pictorialism . In 1930 he met Paul Strand , whose negatives so impressed him that he realized the validity of the straight approach and began to devote all of his time to ...
... began to photograph as an avocation under the strong influence of pictorialism . In 1930 he met Paul Strand , whose negatives so impressed him that he realized the validity of the straight approach and began to devote all of his time to ...
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Common terms and phrases
aesthetic Albumen print Alfred Stieglitz Alvin Langdon Coburn Amateur Photographer American appeared artistic Beaumont Newhall became bichromate calotype calotype negative camera obscura Charles Coburn collodion color Daguerre Daguerre's daguerreotype daguerreotypists drawing editor Edward Weston Emerson emulsion England engraving Evans exhibition exposure film Gallery gelatin Gelatin-silver print George Eastman House glass graphic graphs gum printing hand camera Henry Fox Talbot Ibid illustrated invention John Journal of Photography landscape lens lenses light London magazine ment Modern Art Museum of Modern Muybridge Nadar Niépce object painter painting Paris Paul Strand Peter Henry Emerson Philadelphia Photo-Secession photogra Photographer unknown Photographic Society Photogravure picture plate platinotypes popular portraits posed produced published rapher raphy rays record reproduced Rochester Salon Salted paper print scene sensitive showed shutter silver sitter Steichen stereoscopic straight photography studio taken technique tion tographs ture William Henry Fox wrote York