Shakespeare on the American Stage: From Booth and Barrett to Sothern and Marlowe
This set of essays, which surveys major developments in the winding down of nineteenth-century methods of Shakespeare staging, spans the decades from the 1880s to about 1920. The Epilogue describes the American celebration of the Tercentenary of Shakespeare's death.
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Classic Acting of Tragedy The Partnership of Booth and Barrett
Augustin Daly and the Shakespeare Comedies
The Feminization of Shakespeare
Foreign Visitors and the New Realism
End of the Tradition Part I Mansfield and Mantell
acting actors actress Ada Rehan American Antony artistic audience Augustin Daly Beatrice beauty Booth and Barrett Boston Transcript Brutus called career character Charles charm Chicago Clapp Cleopatra comedy costume critics curtain Daly Daly's December declared Dithmar Dramatic Mirror E. H. Sothern Edith Barrett Edwin Booth Ellen Terry February Fechter Fiske Folger Shakespeare Library Forbes-Robertson Frohman Hamlet Helena Modjeska Henry Irving Illus Irving's Julia Marlowe Juliet King Lady Macbeth Langtry Lear Lillie Langtry lllus London Lyceum Malvolio manager Mansfield Mantell Mantell's Marlowe's ment Miss Marlowe Miss Rehan modern Modjeska never night November Nym Crinkle October Odell opening Ophelia Othello passion performance play praised production repertory Richard role Romeo Rosalind Russell Salvini scene scenery season Shake Shaw Shylock Sothern and Marlowe speare spearean speech Spirit stage star Syndicate tion tour Towse tragedy tragic Tree Tree's Viola voice week William Winter wrote York Tribune
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No preview available - 2002