Dada: Art and Anti-artThe drama of this movement from its birth in 1916 to its alleged end in 1922. |
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Page 118
... Hausmann's had . Heartfield's montages were often classically composed ; Hausmann's were wild and explosive , not to be contained by any aesthetic framework . Hausmann's were certainly fiercer and more uninhibited ; Heartfield's were ...
... Hausmann's had . Heartfield's montages were often classically composed ; Hausmann's were wild and explosive , not to be contained by any aesthetic framework . Hausmann's were certainly fiercer and more uninhibited ; Heartfield's were ...
Page 123
... Hausmann and Baader Hausmann was greatly attracted by Baader's total lack of inhibitions . They understood each other . Hausmann himself had a dark side to his nature which would suddenly break through in the middle of even the most ...
... Hausmann and Baader Hausmann was greatly attracted by Baader's total lack of inhibitions . They understood each other . Hausmann himself had a dark side to his nature which would suddenly break through in the middle of even the most ...
Page 128
... Hausmann was a true fanatic . Huelsenbeck was a rebel , not from a desire to lacerate the world ( like George Grosz ) , nor from a love of vivisection ( like Hausmann ) but from sheer youthful vitality ; raising hell was a natural ...
... Hausmann was a true fanatic . Huelsenbeck was a rebel , not from a desire to lacerate the world ( like George Grosz ) , nor from a love of vivisection ( like Hausmann ) but from sheer youthful vitality ; raising hell was a natural ...
Common terms and phrases
abstract aesthetic André Breton Anna Blume anti-art anti-artistic Apollinaire appeared Aragon artistic audience Baader Baargeld Barrès became bee bee bee Berlin Dada bourgeois Cabaret Voltaire Café called cardboard chance cœur collages Cologne colours critic Cubist Dada Dada Dada movement Dada period Dada's Dadaist dance Doesburg Eggeling Eluard exhibition film France Francis Picabia freedom French friends Futurist gallery gave George Grosz German Hanover Hans Arp Hans Richter Heartfield Herr human humour ideas individual Jung Kandinsky Kurt Schwitters later lived manifesto Marcel Duchamp Marcel Janco Max Ernst Merz modern Neo-Dada never objects painter painting Paris Dada Paul Dermée Péret phonetic poem Photomontage played poème poet poetry Portrait published ready-mades Rees Ribemont Ribemont-Dessaignes Richard Huelsenbeck Richter Serner Soupault spontaneity Stieglitz Stijl Surrealism Surrealist Taeuber technique things took totally Tristan Tzara turned word York Zurich Dada