Fanny Brice: The Original Funny Girl

Front Cover
Oxford University Press, Oct 7, 1993 - Biography & Autobiography - 308 pages
"I've done everything in the theatre except marry a property man," Fanny Brice once boasted. "I've acted for Belasco and I've laid 'em out in the rows at the Palace. I've doubled as an alligator; I've worked for the Shuberts; and I've been joined to Billy Rose in the holy bonds. I've painted the house boards and I've sold tickets and I've been fired by George M. Cohan. I've played in London before the king and in Oil City before miners with lanterns in their caps." Fanny Brice was indeed show business personified, and in this luminous volume, Herbert G. Goldman, acclaimed biographer of Al Jolson, illuminates the life of the woman who inspired the spectacularly successful Broadway show and movie Funny Girl, the vehicle that catapulted Barbra Streisand to super stardom. In a work that is both glorious biography and captivating theatre history, Goldman illuminates both Fanny's remarkable career on stage and radio--ranging from her first triumph as "Sadie Salome" to her long run as radio's "Baby Snooks"--and her less-than-triumphant personal life. He reveals a woman who was a curious mix of elegance and earthiness, of high and low class, a lady who lived like a duchess but cursed like a sailor. She was probably the greatest comedienne the American stage has ever known as well as our first truly great torch singer, the star of some of the most memorable Ziegfeld Follies in the 1910s and 1920s, and Goldman covers her theatrical career and theatre world in vivid detail. But her personal life, as Goldman shows, was less successful. The great love of her life, the gangster Nick Arnstein, was dashing, handsome, sophisticated, but at bottom, a loser who failed at everything from running a shirt hospital to manufacturing fire extinguishers, and who spent a good part of their marriage either hiding out, awaiting trial, or in prison. Her first marriage was over almost as soon as it was consummated, and her third and last marriage, to Billy Rose, the "Bantam Barnum," ended acrimoniously when Rose left her for swimmer Eleanor Holm. As she herself remarked, "I never liked the men I loved, and I never loved the men I liked." Through it all, she remained unaffected, intelligent, independent, and, above all, honest. Goldman's biography of Al Jolson has been hailed by critics, fellow biographers, and entertainers alike. Steve Allen called it "an amazing job of research" and added "Goldman's book brings Jolson back to life indeed." The Philadelphia Inquirer said it was "the most comprehensive biography to date," and Ronald J. Fields wrote that "Goldman has captured not only the wonderful feel of Al Jolson but the heartbeat of his time." Now, with Fanny Brice, Goldman provides an equally accomplished portrait of the greatest woman entertainer of that illustrious era, a volume that will delight every lover of the stage.

From inside the book

Contents

Introduction
3
1 A Borach
7
2 Enter Miss Brice
21
3 College Girl
35
4 Shubert Sonata
49
5 Nick Arnstein
61
6 Into Her Own
73
7 The Fugitive
91
12 Rewolt
159
That Rat
171
14 Life Without Roses
183
15 Closing Number
197
The Legacy
211
Bibliography
219
Stageography
223
Filmography
271

8 What Every Woman Nose
101
9 The Divorce from My Man
113
10 The ShortStemmed Rose
131
11 Baby Snooks at Last
147
Radiography
277
Discography
287
Index
291
Copyright

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Page 177 - After the emotion is ended in your life, I found I got great joy from just being myself and relaxing. When love is out of your life, you're through in a way. Because while it is there it's like a motor that's going, you have such vitality to do things, big things, because love is goosing you all the time.
Page 59 - I was introduced to a man who stood then and forever after for everything that had been left out of my life — manners, good breeding, education and an extraordinary gift for dreaming.
Page 100 - ... that period until the present at many selling jobs, representing many manufacturers, particularly lamps, lamp shades, and cellophane conversion. Mr. ARENS. Are you acquainted with Charles Eimer, the gentleman who just testified? Mr. JOSEPH. On the basis of the fifth-amendment privilege, I decline to answer, on the grounds that to do so might tend to selfincrimination. Senator WATKINS. You mean if you should answer that question truthfully, it might incriminate you ? Mr. JOSEPH. On the basis Senator...
Page 36 - Don't do that dance, I tell you, Sadie, That's not a business for a lady! Most ev'rybody knows That I'm your loving Mose Oy, oy, oy, oy Where is your clothes? "Business Is Business...
Page 240 - NY ZIEGFELD FOLLIES OF 1917 A Musical Revue in Two Acts and Nineteen Scenes. Book and Lyrics by Gene Buck and George V. Hobart. Music by Raymond Hubbell and Dave Stamper. Patriotic Finale by Victor Herbert. Scenery by Joseph Urban. Staged by Ned Wayburn. Produced under the Personal Direction of Florenz Ziegfeld, Jr. ACT I Scene Five — "The Episode of the Tennis Match...
Page 18 - When You Know You're Not Forgotten by the Girl You Can't Forget" won her a $10 first prize and an additional $3 tossed on stage by the audience.
Page 69 - ... of ours, classical interpretative dancing. Fanny's refinement of technique is far beyond Jolson's; her effects are broad enough, but her methods are all delicate. The frenzy which takes hold of her is as real as his. With him she has the supreme pleasure of knowing that she can do no wrong — and her spirits mount and intensify with every moment on the stage. She creates rapidly and her characterizations have an exceptional roundness and fulness; when the demon attends there is nothing she cannot...
Page 87 - So he lines the stables with mahogany. 'If we can't have it good, we won't have it at all,' he tells me. Well, he builds the mahogany stables, and I never saw a horse in them.
Page 5 - I'd have a boy and a girl, and I had them. I always hoped the boy would have the talent, and not the girl, and it worked out that way. Because, as I realize it, I didn't want my daughter to have a career. Because if a woman has a career, she misses an awful lot. And I knew it then, that if you have a career, then the career is your life.
Page 82 - Kid, don't push yourself here. You're up against top competition and you don't have to push.

About the author (1993)

Herbert G. Goldman is a free-lance writer who lives in New York City. He is currently working on a biography of Eddie Cantor.

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