The Water of the Wondrous Isles

Front Cover
Longmans, Green, and Company, 1897 - Fiction - 553 pages
Plot: "Stolen as a child and raised in the wood of Evilshaw as servant to a witch, Birdalone ultimately escapes in her captress's magical boat, in which she travels to a succession of strange and wonderful islands. Among these is the Isle of Increase Unsought, an island cursed with boundless production, which Morris intended as a parallel of contemporary Britain and a vehicle for his socialistic beliefs. Equally radical, during much of the first quarter of the novel, Birdalone is naked, a highly unusual detail in Victorian fiction. She is occasionally assisted out of jams by Habundia, her lookalike fairy godmother. She encounters three maidens who are held prisoner by another witch. They await deliverance by their lovers, the three paladins of the Castle of the Quest. Birdalone is clad by the maidens and seeks out their heroes, and the story goes into high gear as they set out to rescue the women. Ultimately, one lady is reunited with her knight, another finds a new love when her knight is killed, and the last is left to mourn as her champion throws her over for Birdalone."--Wikipedia
 

Contents

I
1
II
8
III
10
IV
12
V
15
VI
18
VII
22
VIII
30
LIX
245
LX
250
LXI
255
LXII
263
LXIII
268
LXIV
271
LXV
276
LXVI
283

IX
33
X
36
XI
39
XII
43
XIII
46
XIV
51
XV
54
XVI
59
XVII
62
XVIII
65
XIX
68
XX
70
XXI
75
XXII
77
XXIII
82
XXIV
85
XXV
89
XXVI
97
XXVII
109
XXVIII
112
XXIX
117
XXX
131
XXXI
136
XXXIII
141
XXXIV
146
XXXV
152
XXXVII
157
XXXIX
160
XL
167
XLI
176
XLII
180
XLIII
184
XLIV
186
XLV
190
XLVI
194
XLVII
197
XLVIII
201
XLIX
205
L
208
LI
213
LII
216
LIII
220
LIV
224
LV
227
LVI
231
LVII
235
LVIII
243
LXVII
285
LXVIII
289
LXIX
305
LXX
309
LXXI
340
LXXII
350
LXXIII
355
LXXIV
358
LXXV
364
LXXVI
366
LXXVII
372
LXXVIII
374
LXXX
385
LXXXI
396
LXXXII
401
LXXXIII
406
LXXXIV
413
LXXXV
420
LXXXVI
422
LXXXVII
427
LXXXVIII
438
LXXXIX
442
XC
446
XCI
449
XCII
454
XCIII
458
XCIV
463
XCV
465
XCVI
468
XCVII
472
XCVIII
475
XCIX
485
C
489
CI
493
CII
500
CIII
503
CIV
505
CV
509
CVI
512
CVII
518
CVIII
525
CIX
533
CX
537
CXI
541
CXII
550
Copyright

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Common terms and phrases

Popular passages

Page 26 - Delicate and clean-made is the little trench that goeth from thy mouth to thy lips, and sweet it is, and there is more might in it than in sweet words spoken. Thy lips they are of the finest fashion, yet rather thin than full; and some would not have it so; but I would, whereas I see therein a sign of thy valiancy and friendliness. Surely he who did thy carven chin had a mind to a master work and did no less. Great was the deftness of thine imaginer, and he would have all folk who see thee wonder...
Page 22 - ... was opening its blossom; and March wore and April, and still she was at work happily when now it was later May, and the harebells were in full bloom down the bent before her and still she wrought on at her gown and her smock, and it was well-nigh done. She had broidered the said gown with roses and lilies, and a tall tree springing up from amidmost the hem of the skirt, and a hart on either side thereof, face to face of each other. And the smock she had sewn daintily at the hems and the bosom...
Page 2 - WHILOM, as tells the tale, was a walled cheaping-town hight Utterhay, which was builded in a bight of the land a little off the great highway which went from over the mountains to the sea.
Page 26 - Great was the deftness of thine imaginer, and he would have all folk who see thee wonder at thy deep thinking and thy carefulness and thy kindness. Ah, maiden! is it so that thy thoughts are ever deep and solemn? Yet at least I know it of thee that they be hale and true and sweet.
Page 204 - And look you, kind lady, it is most like that by now he hath heard how in my poor castle is kept a jewel, a pearl of great price, that hath not its like in the world, and will encompass the stealing of it if he may.
Page 392 - Birdalone was hearkening and weeping for tenderness' sake, while the witch was unto her neither fearful nor irksome, and forsooth nought save a mouthpiece for words that both grieved Birdalone and yet were an eager pleasure unto her. But in the midst thereof, and ere the dream had time to change, Birdalone awoke, and it was an early morning of later spring, and the sky was clear blue and the sun shining bright, and the birds singing in the garden of the house, and in the street was the sound of the...
Page 2 - Utterhay was so poor or so bold that he durst raise the hunt therein; no outlaw durst flee thereto; no man of God had such trust in the saints that he durst build him a cell in that wood. For all men deemed it more than perilous ; and some said that there walked the worst of the dead; othersome that the Goddesses of the Gentiles haunted there; others again that it was the Faery rather, but they full of malice and guile. But most commonly it was deemed that the devils swarmed amidst of its thickets,...
Page 465 - Birdalone's outstretched arms, "and it was as if the sunbeam had thrust through the close leafage of the oak, and made its shadow nought a space about Birdalone, so gleamed and glowed in shifty brightness the broidery of the gown; and Birdalone let it fall to earth, and passed over her hands and arms the fine smock sewed in yellow and white silk, so that the web thereof seemed of mingled cream and curd; and she looked on the shoon that lay beside the gown, that were done so nicely and finely that...
Page 3 - ... Gate of Hell whereto he came. And the said wood was called Evilshaw. Nevertheless the cheaping-town throve not ill ; for whatso evil things haunted Evilshaw, never came they into Utterhay in such guise that men knew them, neither wotted they of any hurt that they had of the Devils of Evilshaw. Now in the said cheaping-town, on a day, it was market and high noon, and in the market-place was much people thronging ; and amidst of them went a woman, tall, and strong of aspect, of some thirty winters...

About the author (1897)

Morris was the Victorian Age's model of the Renaissance man. Arrested in 1885 for preaching socialism on a London street corner (he was head of the Hammersmith Socialist League and editor of its paper, The Commonweal, at the time), he was called before a magistrate and asked for identification. He modestly described himself upon publication (1868--70) as "Author of "The Earthly Paradise,' pretty well known, I think, throughout Europe." He might have added that he was also the head of Morris and Company, makers of fine furniture, carpets, wallpapers, stained glass, and other crafts; founder of the Society for the Protection of Ancient Buildings; and founder, as well as chief designer, for the Kelmscott Press, which set a standard for fine book design that has carried through to the present. His connection to design is significant. Morris and Company, for example, did much to revolutionize the art of house decoration and furniture in England. Morris's literary productions spanned the spectrum of styles and subjects. He began under the influence of Dante Gabriel Rossetti with a Pre-Raphaelite volume called The Defence of Guenevere and Other Poems (1858); he turned to narrative verse, first in the pastoral mode ("The Earthly Paradise") and then under the influence of the Scandinavian sagas ("Sigurd the Volsung"). After "Sigurd," his masterpiece, Morris devoted himself for a time exclusively to social and political affairs, becoming known as a master of the public address; then, during the last decade of his life, he fused these two concerns in a series of socialist romances, the most famous of which is News from Nowhere (1891).

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