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Introduction to the Modern Dance Virginia Stewart
The Development of the New Qerman Dance Artur Michel
The New Qerman Dance Mary Wigman
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accent achieved aesthetic American dancer art-form ballet technique became become beginning Bel Canto bodily movement body characteristic Charles Weidman choreographer Cleveland Orchestra complete concept consciousness create creation creative culture dance composition dance forms dance music dance-form Dances of Women Denishawn School direction distortion Doris Humphrey dramatic Dresden elements emotional European existence experience feeling force fusion German dance gesture group dance Hanya Holm Harald Kreutzberg harmony human voice important impulses individual instrument Isadora Duncan machine Martha Graham Mary Wigman means melody method Miss Humphrey modern dance motion moving musical form natural movement Neighborhood Playhouse Opera Orchestra Oriental dance Palucca pantomime pedagogical performed produced realized recitals relationship result rhythm rhythmic romantic Ruth St sense Shifting Landscape significant solo dancer solo dancing soul spectator stage style Symphony teacher technical tension theme theory Totenmal toured traditional vision whole Wigman School Yvonne Georgi