On Criticizing Music: Five Philosophical PerspectivesKingsley Price |
Contents
Plagiarism and Inspiration | 16 |
The State of Academic Music Criticism | 38 |
Understanding Music | 55 |
Copyright | |
1 other sections not shown
Common terms and phrases
abstract aesthetic judgment analogous analyzed appraisive archetypal arpeggiation artist Aschenbrenner autonomous bars Beardsley Beethoven Brahms Brahms's cadence cadenza characterization Charles Rosen Chopin's chord classical compositions classical music composer concept concrete configuration connections contingent Critique of Judgment cultural defined Dichterliebe disjunct effect elements emotion empirical example exemplified function harmonic Haydn hear Ibid identity individual internal interpretation Joseph Kerman Kant Kant's kind listener logical meaningful melodic mental structure mind minor movement Mozart Music Criticism music-work musicology Nelson Goodman norm object organicism particular pattern perception philosophy phrase Piano Concerto piece pitches post-Kantian prelude properties qualities quartet reference relation resemblance rhetorical romantic compositions romantic music ROSE ROSENGARD SUBOTNIK Rosen Schenker Schoenberg Schumann semantic understanding semiotic structures semiotic universe sense sequences significant sonata song sort structural competence style subjective structure suggests Symphony temporal structure theme theory Thränen tion tonality tonic triad Ursatz Virgil Thomson whole words