Indian Musical Traditions: An Aesthetic Study of the Gharanas in Hindustani Music |
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Page 36
... effect will not be very interesting . But if Sa is produced with a glide from Pa of the lower octave and then Re appears in a straightforward manner the two will appear more pleasing because of the contrast in the manner of intonation ...
... effect will not be very interesting . But if Sa is produced with a glide from Pa of the lower octave and then Re appears in a straightforward manner the two will appear more pleasing because of the contrast in the manner of intonation ...
Page 72
... effect of the swara ; his spouse , God- dess Gauri is full of animation and dynamism like a streak of lightning and connotes the motion and activity of laya . However , back to the probable objections . It may be urged that a style ...
... effect of the swara ; his spouse , God- dess Gauri is full of animation and dynamism like a streak of lightning and connotes the motion and activity of laya . However , back to the probable objections . It may be urged that a style ...
Page 74
... effect of the swara by which Kirana lays much store and on which the entire superstructure of the Kirana style is based , is not at all very highly valued by this gharana . It primarily focuses on audible patterns of swaras and their ...
... effect of the swara by which Kirana lays much store and on which the entire superstructure of the Kirana style is based , is not at all very highly valued by this gharana . It primarily focuses on audible patterns of swaras and their ...
Contents
Prologue | 1 |
Gharanas and their Ways of Voice Production | 16 |
Bandeesh and the Laws of Form | 29 |
3 other sections not shown
Common terms and phrases
7EPE Abdul Karim Khan achieved acquired aesthetic Agra gharana alapi Alladiya Khan Amir Khan artists avartana Bade Gulamali Balkrishnabuwa bandeesh beats Bhaskarbuwa Bakhale Bhimsen Joshi bol-tan chapter cheej classical music conception criticism cycle Dadra Darbari Deodhar dhrupad different gharanas disciple discussion distinctive EALP EBLP 1751 MOAE ECLP effect element emotional fact Faiyaz Khan fast tempo gamak Gulamali Khan guru Gwalior gharana heighten Hindustani music Hirabai Badodekar Hussein Khan Indian music Indore intonation Jaipur Jaipur style kans Kesarbai Khan-Died Khan's Khansaheb khyal kind of music Kirana Kirana singers lavni listener literary manner melody Mogubai Kurdikar musical art musicians Naththan Khan natural octave one's Pandit Patiala patterns phrases principle recital rhythm-play Saraswati Rane Savai Gandharva singing slow tempo stage music sthai sung swara and laya swara-oriented tans tension thumri tonal tradition upaj Vahid Khan Vamanrao various gharanas Vazebuwa Vilayat Hussein voice-production word двова двова