Dickinson, the Modern Idiom
In this study of the poetry of Emily Dickinson, David Porter returns to Dickinsons actual manuscripts and written words, finding there a poet less formal, more forthright, and more modern than most readers have recognized. Porter constructs a primer for reading Dickinsons more difficult poems. He discovers and details the hidden patterns of her composing methods her grammatical defect, her lost referents and dropped inflections, her unique habits of revision. By concentrating on the manuscripts themselves, Porter helps us penetrate the print she did not authorize with its straight lines and capitals, its even margin and spacing, its stanzaic regularity, its visual definiteness." Coupled with his close reading of the texts, Porters conceptual originality and warm sympathy open up whole vistas in Dickinsons poetry. He is keenly sensitive not only to what is present in her work but also to what is absent. Indeed, he argues, absence and omissions constitute Dickinsons deepest originality. By concentrating on the absence that exists at every level of her life and work, as well as on the sharp physicality of her manuscripts, Porter is able to illuminate many mysteries of Dickinsons career.
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A Swarm of Mysteries
The Crucial Experience
Strangely Abstracted Images
11 other sections not shown
absence abstract aftermath Alfred Leete allegory American poetry artistic bride coherence conceptual consciousness conventional created crucial death death poems Dick Dickin Dickinson's language Dickinson's poems Dickinson's poetry elements Elizabeth Barrett Browning ellipsis Emerson Emily Dickinson exclusion from comprehension existence experience face faith familiar feel figure final force fragment guage habit Hart Crane Higginson hymn form identity idiom ignorance immortality indefiniteness intense lack letter lexical lines linguistic literary live Mabel Loomis Todd meaning ment metaphor metonymic mind modern modernist mystery never Norcross opening parable perception phrase poem beginning poem's poet poet's poetic problem problematic prose psychic reader reality reclusion reference seems sense significance Soul speech stanza Stevens stop for Death strange style syllable syntactic syntax texts things tion tropes two-line variant verb verse vision voice Wallace Stevens wife poems words worksheet writing wrote Yvor Winters
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