Looking at Photographs: 100 Pictures from the Collection of the Museum of Modern ArtOriginally published in 1973, this marvelous collection of photographs with accompanying texts by the revered late Museum of Modern Art photography curator John Szarkowski has long been recognized as a classic. Reissued in 1999-with new digital duotones-this volume is now available to a new generation of readers. "This is a picture book, and its first purpose is to provide the material for simple delectation," says Szarkowski in his introduction to this first survey of The Museum of Modern Art's photography collection. A visually splendid album, the book is both a treasury of remarkable photographs and a lively introduction to the aesthetics and the historical development of photography. Since 1930, when the Museum accessioned its first photograph, it has assembled an extraordinary and wide-ranging collection of pictures for preservation, study and exhibition. Among the outstanding figures represented here are Hill and Adamson, Cameron, O'Sullivan, Atget, Stieglitz, Steichen, Strand, Weston, Kertesz, Evans, Cartier-Bresson, Lange, Brassai, Ansel Adams, Shomei Tomatsu, Frank, Arbus and Friedlander. Some of these photographs are classics, familiar and well-loved favorites, many are surprising, little-known works by the masters of the art. |
From inside the book
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Page 174
... meaning of a photograph could have several faces ) when he called his late photographs of clouds and other common subjects “ equivalents , ” suggesting that they held optional , equal , alternative meanings . The photographer of the ...
... meaning of a photograph could have several faces ) when he called his late photographs of clouds and other common subjects “ equivalents , ” suggesting that they held optional , equal , alternative meanings . The photographer of the ...
Page 192
... meaning . Such meaning , if we understood it , might deal with issues as fragile as the contrast between the age of a stone and the freshness of the light . Not often , but occasionally , the meaning will be so nearly invisible that it ...
... meaning . Such meaning , if we understood it , might deal with issues as fragile as the contrast between the age of a stone and the freshness of the light . Not often , but occasionally , the meaning will be so nearly invisible that it ...
Page 212
... meanings , but if they are good pictures they also have a specific and unique meaning , which has to do with the particular experience of an individual artist at a particular place and time . Other pictures do not concern themselves ...
... meanings , but if they are good pictures they also have a specific and unique meaning , which has to do with the particular experience of an individual artist at a particular place and time . Other pictures do not concern themselves ...
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Common terms and phrases
1817 LIBRARIES MICHIGAN abstract adventure Albumen print Alfred Stieglitz American ancient André Kertész artist Avedon beautiful Bellocq's born Brassaï Brett Weston calotype camera century Collection concern daguerreotype David H David Octavius Hill described early Edward Steichen Edward Weston Eugène Atget Evans experience exposure fact Gift graphic hand Henry important interesting intuition issue John Kertész landscape Lartigue Lee Friedlander less light look magazines McAlpin Fund meaning medium MICHIGAN MICHIGAN mirror Modern Art Museum's photography natural negative Nickolas Muray O'Sullivan painters painting pattern Paul Strand perhaps perspective Peter Henry Emerson photog photograph reproduced photographer's photostory picture opposite picture reproduced picture's plane plate Platinum print portraits precisely problem radical rapher raphy record seemed sense shadows shapes Sheeler simple social space specific straight photography street subject matter suggest surely talent technique things traditional true UNIV UNIVERSIT UNIVERSITY 1817 LIBRARIES Untitled vantage point visual Walker Evans