New Theatre Quarterly 34: Volume 9, Part 2
This is edition number 34 of the New Theatre Quarterly, which provides a lively international forum for discussion of topics of current interest in theatre studies, whether from the perspective of theory, methodology, philosophy or history.
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Why Did Antigone Kill Herself?
The Heroine the Harpy and the Human Being
a Case of Radical Community Theatre
the Dramaturgy of Len Jenkin and Mac Wellman
the Search for a Lesbian Theatre Aesthetic
Dancing for the Blind or with the Blind? New Directions in Movement Research
The Intercultural Experience and the Kathakali King Lear
Shakespeare Bibliography and Performance Studies
NTQ Reports and Announcements
NTQ Book Reviews
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actor actress aesthetic alternative theatre androgyny Anne Kilcoyne Antigone audience Baz Kershaw become blind body butch and femme butch-femme centre character classical construct Contact Improvisation contemporary context contradictions conventions costume create critical cultural Dartington developed dialogic director drama dramaturgy dynamic East Midlands Arts edition editors EMMA EMMA's experience female feminist film gestures groups Harriet Walter Hawker heroine heterosexual ideological integrated Ithaka Jan Kott Jenkin Kabuki Kate Davy Kathakali Kathakali King Lear King Lear language lesbian theatre live Mac Wellman make-up male mance modern Monique Wittig monologue move movement narrative Narrators Oxford performative contradictions play playwrights Poacher political production radical role Royal Shakespeare Company scene script sense sexual Shakespeare Festival skull space spectator Split Britches stage directions Steve Paxton story strategy structure Sue-Ellen techniques textual Theatre Company theatre history theatrical tion Touchdown Dance tragedy University village hall visual impairment woman women words workshop