Sanskrit Play Production in Ancient India

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Motilal Banarsidass Publ., 1995 - Political Science - 446 pages
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Sanskrit Play Production in Ancient India moves through three levels of understanding: (1) What the components of the traditional Natya Production are as described in Natyasastra and other ancient Indian dramaturgical works; how they are interrelated and how they are employed in the staging of Rasa-oriented sanskrit plays?Probing deep into the immense reaches of time to India`s archaic past the author pieces together a fascinatingly intricate design of play production down to the units and subunits of expression and executive.
 

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very dataentry . thanks

Contents

PART
1
SiddhiSpectatorPerformerRapport
23
RahgaThe Playhouse
37
PART
71
VrttiPravrtti
109
PART THREE
129
DharmisPractices of Staging
187
Svara Gana Atodya
221
In South East Asia China Japan
285
ScenesSequences From
305
Visakhadatta Mudraraksasa VII
347
Prahasana
364
Tasks Before a Modern Producer
401
Appendix
411
Select Bibliography
429
Index
443

PART FOUR
251

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Page vii - The sheer enormity and diversity of its cultural expressions in music, dance, dance/drama and theatre are the envy of many nations around the world. This series intends to assemble some of the best books now available on these subjects. Without exaggeration, a series such as this would not have been possible twenty years ago when I first began writing about Indian theatre. At that time little more than a few dozen books comprised the entire field of scholarship in the English language, not to mention...
Page vii - ... about Indian theatre. At that time little more than a few dozen books comprised the entire field of scholarship in the English language, not to mention the paucity of materials in regional Indian languages. Today that picture has radically changed. Numerous publishers have devoted precious press time to volumes of well-illustrated, detailed and, yes, sometimes even esoteric works on the multiple aspects of this fascinating subject Comb any bookshop in Delhi or Madras, Bombay or Calcutta and you...
Page vii - ... world. This series intends to assemble some of the best books now available on these subjects. Without exaggeration, a series such as this would not have been possible twenty years ago when I first began writing about Indian theatre. At that time little more than a few dozen books comprised the entire field of scholarship in the English language, not to mention the paucity of materials in regional Indian languages. Today that picture has radically changed. Numerous publishers have devoted precious...

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