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Hybridity and Aesthetics in the Era of Postcolonial Literatures
Ulfried Reichardt Hamburg
Matthias Rudolf Fribourg
13 other sections not shown
aesthetic African art Ahab ambivalence American Anglo-Saxon Chronicle Annie Annie's artists become bell hooks Bhabha Bharati Mukherjee body boundaries century club-culture colonial concept context contradiction creole critique crossover cultural cyborg daughter desire discourse DJ-music English ethnic European fact Fanon fantasy fiction film foreign Frantz Fanon Freud gender Hannah Hengest Historia Brittonum Homi Hudood Ordinances human hybridity identity imitation Indian interpellation Jehan Mina's king language Layamon linguistic literary literature lived experience London Lora Lora's Maus miscegenation mother Mukherjee Mukherjee's Naboth narrative narrator narrator's native Negro Nennius notion novel object performance Picasso Piercy political Polycontextural position postcolonial critic postcolonial literatures postmodern primitivism primitivist question race racial radical subjectivity reading realism reality representation represented Sarah Jane sense sexuality Shira Sirk Sirk's social space Spiegelman story strategies Suleri symbolic temporal theory tion Tlie unconscious Vortigern Western woman women writing York