Sound-recording for Films: A Review of Modern Methods |
Common terms and phrases
A. T. Dover accompaniment acoustic conditions ALTERNATING CURRENT apparatus artistes B.Sc background noise BOOK camera cinema close-up Columbia Pictures correct D.Sc DEFINITIONS AND FORMULAE dialogue director disc documentary film dubbing E. J. Holmyard Edition ELECTRICAL effects emulsions especially example fader film-making FORMULAE FOR STUDENTS Fourth Edition frequently gramophone heard hears Hons important industry instruments J. B. Holmes LEONID SABANEEV listening long-shot loud M.Eng M.I.E.E. ELECTRIC M.Sc MANUFACTURE material MATHEMATICS MECHANICAL method microphone microphone-placing microphone-position mixing monitor-speaker musicians negative obtained orchestra Paul Rotha Perren Maycock perspective Ph.D photographed Pitman & Sons position post-synchronization PRACTICAL principle produce Radio Pictures re-recording recorded sound recordist rehearsal reproduced result Revised satisfactory scenes screen script Second Edition shooting shooting-script shot silent films silver bromide Sir Isaac Pitman sound-continuity sound-film sound-on-film sound-recording sound-recordist sound-track story-film studio technical technique TELEGRAPHY TELEPHONY theatre Third Edition tion to-day tone visuals voice volumes Wh.Sc