The Flowering Spirit: Classic Teachings on the Art of Nō

Front Cover
Kodansha International, Mar 27, 2006 - Art - 183 pages
The Flowering Spirit is a new translation of Fushikaden, the 15thcentury classic text by Zeami, founder of the No theater. Written sometime between 1400 and 1418, Fushikaden became a secret, sought-after guide to life for Zeamis acting troupe. Not until the latter part of the 19th century did Fushikaden gradually begin to make its way into the hands of the general public. Although Fushikaden is about No drama, Zeami incorporated into his text his philosophical outlook on the art of lifethe wayand how one goes about living according to these principles, providing invaluable teachings on the aesthetics and spiritual culture of Japan. No was the art form of choice for the samurai class; and many of its principles echo those of the martial arts. Zeami brought his wide-ranging education in Zen Buddhism, his knowledge of classical Japanese poetry, and his exposure to the aristocratic lifestyle to his writing of this classic work. In addition to his impeccable translation, William Scott Wilson has contributed several important adjunct pieces to Zeamis classic workan introduction about the history of No drama, copious notes explaining the background of the book, an appendix containing a translation of one of Zeamis greatest plays, Atsumori, and an afterword that connects No drama with the warrior class.
 

Contents

FOREWORD
9
NOTES
56
Roleplaying
71
Questions and Answers
82
Matters Concerning the Gods
98
Praising the Deepest Principles
104
Cultivating the Flower
112
Additional Oral Traditions
124
NOTES
140
GLOSSARY
146
NOTES
178
Copyright

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About the author (2006)

Not only was Zeami a playwright of unparalleled genius and productivity, he was also an actor. About half the currently performed plays in the Japanese Noh repertory are from his hand. Besides composing over 150 plays, he wrote a number of critical works on Noh and its performance. Since his father was the most respected Noh performer of his time, Zeami grew up in the theater and remained with it until he was 59 and entered the priesthood. At 71 he was exiled to Sado Island. Why this happened is uncertain, but we can assume that he was pardoned, because he died in Kyoto. Most Noh plays in English collections are his. William Scott Wilson was born in 1944 and grew up in Fort Lauderdale, Florida. As an undergraduate at Dartmouth in 1966, he joined a three-month kayak trip up the coast of Japan from Shimonoseki to Tokyo. The eye-opening journey, beautifully documented in National Geographic, spurred Wilson's fascination with the culture and history of Japan.

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