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Abraham Mendelssohn artist audience authoritative autograph Bach's music Bach's St bassoons became Berlin cantatas Cantor cellos choir chorale chord clarinets Classicism clavier composer composer's compositions concert contemporary copies criticism DISCUSSION double bass E. T. A. Hoffmann early music early nineteenth century editor Eduard Devrient eighteenth century enthusiasm extract fact Fanny Mendelssohn Felix Mendelssohn flutes French German Goethe Handel harpsichord historian historical Igor Stravinsky important instruments interest interpretation J. S. Bach Johann Sebastian Bach keyboard later Leipzig letter lute manuscript Matthew Passion Mendelssohn's revival modern Moses Mendelssohn movement Mozart musicians musicology oboes oral orchestra organ organist original Orlando Gibbons performance of Bach's performance practice piano piece played player problems published Ravel recitatives recording Romantic Romanticism Schumann score Singakademie society Sonata sources spirit staccato dot staff notation strings Suggested break Symphony Tablature taste Thomasschule thoroughbass true church music violins virtuoso writing Zelter