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Alessandria Archie arms army asked Austrian Beamish beauty better boat breech-loader Burton Butler called Captain Clavering Catherine Catherine George Celtic Celts church course dear Desaix Dick Doodles English eyes face Fanny Faust fear feeling Florence Fontaine Genoa German give granny hand happy Harry Clavering head heard heart Hugh Julia kind knew Lady Ongar Landwehr Leucathea little governess living looked Lord Madame de Tracy Madame Gordeloup Madame Merard marriage means mind Miss George Monsieur morning mother nature never night once passed pearls perhaps Piacenza poor present Reine Richard round Saladin Saul Scotland seemed ship sleep Sophie speak standing talk tell Theodore Burton things thought told Trafoi Transylvania Turin turned Vienna voice walked Westley Richards wife woman women words young
Page 585 - Or what king, going to make war against another king, sitteth not down first and consulteth whether he be able with ten thousand to meet him that cometh against him with twenty thousand?
Page 110 - If I were asked where English poetry got these three things, its turn for style, its turn for melancholy, and its turn for natural magic, for catching and rendering the charm of nature in a wonderfully near and vivid way, — I should answer, with some doubt, that it got much of its turn for style from a Celtic source ; with less doubt, that it got much of its melancholy from a Celtic source ; with no doubt at all, that from a Celtic source it got nearly all its natural magic.
Page 225 - ... were my memory as faithful as my reason is then fruitful, I would never study but in my dreams...
Page 458 - If I may trust the flattering truth of sleep My dreams presage some joyful news at hand. My bosom's lord sits lightly in his throne, And all this day an unaccustom'd spirit Lifts me above the ground with cheerful thoughts.
Page 118 - What though the field be lost? All is not lost; the unconquerable will, And study of revenge, immortal hate, And courage never to submit or yield: And what is else not to be overcome?
Page 122 - These are the forgeries of jealousy: And never, since the middle summer's spring, Met we on hill, in dale, forest, or mead, By paved fountain or by rushy brook, Or in the beached margent of the sea, To dance our ringlets to the whistling wind, But with thy brawls thou hast disturb'd our sport.
Page 117 - Count o'er the joys thine hours have seen, Count o'er thy days from anguish free, And know, whatever thou hast been, 'Tis something better not to be.
Page 122 - I know a bank where the wild thyme blows, Where ox-lips and the nodding violet grows ; Quite over-canopied with luscious woodbine, With sweet musk-roses, and with eglantine...
Page 116 - ... residue with the very soul of the Celtic genius in it, and which has the proud distinction of having brought this soul of the Celtic genius into contact with the genius of the nations of modern Europe and enriched all our poetry by it. Woody Morven, and echoing Sora, and Selma with its silent halls! we all owe them a debt of gratitude, and when we are unjust enough to forget it, may the Muse forget us.