Houdini, Tarzan, and the Perfect Man: The White Male Body and the Challenge of Modernity in America

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Macmillan, 2001 - Biography & Autobiography - 256 pages
"When the Prussian-born Eugen Sandow, an international vaudeville star and bodybuilder, toured the United States in the 1890s, Florenz Ziegfeld cannily presented him as the "perfect man," representing both an ancient ideal of manhood and a modern commodity extolling self-development and self-fulfillment. With Harry Houdini, the dream of escape was literally embodied in spectacular performances in which he triumphed over every kind of threat to masculine integrity - bondage, imprisonment, insanity, and death. Then, when Edgar Rice Burroughs's Tarzan swung from tree to tree and into the public eye in 1912, the fantasy of a perfect white Anglo-Saxon male was taken further, escaping the confines of civilization but reasserting its values, beating his chest and bellowing his triumph to the world. Kasson's liberally illustrated and persuasively argued study analyzes the themes linking these figures and places them in their rich historical and cultural context.
 

Contents

INTRODUCTION
3
WHO IS THE PERFECT MAN?
21
THE MANLY ART OF ESCAPE
77
STILL A WILD BEAST AT HEART
157
CONCLUSION
219
Index
245
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About the author (2001)

John F. Kasson, who teaches history & American studies at the University of North Carolina at Chapel Hill, is the author of "Amusing the Million" (H&W, 1978), "Rudeness & Civility" (H&W, 1990), & "Civilizing the Machine" (H&W, 1999).

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